NaNoWriMo Excerpt – “Apollyon: Body and Soul”

Artwork by Tyler Sowles. Designed by Nathan Marchand.

I’m “unoffcially” participating in National Novel Writing Month (NaNoWriMo) this year. I say, “unoffcially,” because I haven’t signed up and plan to write 25,00-30,000 words instead of the target 50,000. It’s my first time trying this, so I thought I’d start with a smaller goal. (Plus, who in their right mind thinks November is a great idea for this when Thanksgiving and holiday activities happen during it? There’s a reason some use January as an alternative).

My project for this is the much-demanded sequel to Destroyer, which is currently titled Apollyon: Body and Soul. I’m four chapters and 7,500 words deep into it, but I’m sharing its prologue here for you, True Believer, to read. Forgive me, for it is an unedited first draft. Enjoy!

***

“Come not between the Dragon and his wrath.”

King Lear, Act 1, Scene 1 (William Shakespeare)

Prologue: Resurrection

Hydraulics growled as the Ilyushin Il-215’s jet engines rotated to VTAL position. Ivanov tapped a few buttons on the aircraft’s dashboard with his calloused fingers, and the words, Autopilot Activated, appeared on the monitor. The dark-haired, hard-faced man stood, reflexively brushing flecks of dried blood from his camouflage fatigues, stepped over the aircraft’s dead pilot on the floor, and walked out the cockpit’s door to the transport’s long main bay. There he saw his lieutenant, Nikitin, also clad in dirty fatigues, standing by a Typhoon Titan armored truck. The vehicle bore several years of rust after years of sitting in storage after the World War. Nikitin was a haggard man with a shaved head and long scars on both cheeks. 

“Remember the Coalition!” said Ivanov in Russian.

“It will rise again!” replied Nikitin, also in Russian.

“We’ve reached the coordinates above the Zmei Crater, comrade. We have little time before the VVS realizes we have stolen their aircraft.”

“Do not worry. I have completed the Muromets Cocktail and placed it in the Typhoon. It will provide excellent raw materials for the microbots.”

“We lost a dozen Warriors gathering the alien crystals, dinosaur DNA, and alloys for it. If their sacrifices are wasted, you will pay with your life.”

“I assure you, comrade, we will succeed for the glory of the Coalition!”

Ivanov tapped several buttons on a control panel on the wall. Hydraulics hissed as gray light flooded the tunnel-like bay from the back of the aircraft. The thunderous wind coming from the open hatch was not unlike a roar shooting from a great maw, Ivanov thought. “‘Come not between the dragon, and his wrath,’” he said.

“Indeed,” replied Nikitin.

Ivanov pressed a final button, and the clamps restraining the Typhoon snapped off the vehicle’s wheels, letting it roll back and disappear out the hatch.

***

Darkness. Unending.

Coldness. Smothering.

Silence. Everlasting.

Crash!

Bugs crawling.

Teeth biting.

Eyes…seeing.

Lost limbs regrown.

Open wounds closed.

Severed sinews reconnected.

Skin wraps his body.

He feels the dirt.

Buzzing fills his ears.

Fire burns in his throat.

Heart beats in cold fire.

Blood flows in metal veins.

A voice cries in his brain.

Moaning escapes his throat in response.

His hands claw at the cliff.

***

Ivanov maneuvered the aircraft in a patrol pattern around the Zmei Crater under Russian radar for several hours. Waiting. Waiting for the results of this grandiose and desperate experiment. An experiment to avenge Mother Russia’s disgraceful defeat. What better way to do so than the irony of reviving the enemy’s greatest weapon and unleashing it upon them? Yet still, they wait.

“We must go, comrade,” said Nikitin, who sat in the co-pilot chair, “before the VVS finds us!”

Ivanov shot him a glare. “No, not until we know if the dragon lives again!”

“And join our fellow patriots in Siberia? No!” Nikitin threw his headset on the dashboard and shot to his feet.

But as he stormed off, Ivanov called, “Down there! Something moves!” Nikitin looked out the windshield where his leader pointed.

A few hundred feet below, a huge metal hand half-covered in blood-red flesh rose from the crater. Its claws dug into the ground, anchoring themselves, and with a great heave, a malformed cyber-serpent dragged itself from the hole. Crimson skin seemed to grow on its half-melted endoskeleton. A crown of horns slowly grew on a head that flopped wildly like a suffocating fish. It crawled on the ground like a snake, leaving a trail of dark fluids and dead scales in its wake.

“The dragon lives!” exclaimed Ivanov. 

Nikitin pulled a computer tablet from his coat pocket and unfurled it. “I will upload instructions to the microbots to begin Operation: Dragonstrike.”

As if in response, one of the dragon’s red eyes flared, shooting a crimson laser.

A crash. Alarms blared. Red warning lights flashed on every dashboard monitor. The Il-215 spun and lurched and divebombed. Ivanov fought the control stick as his lieutenant screamed behind him. With lightning reflexes, he tapped buttons to lower the landing gear and forced the aircraft level out. But it landed cockeyed and slid across the rugged ground, grinding to a halt several long seconds later. It lay at a 60-degree angle, propped on a broken wing. 

Sparks flared from the dashboard, singeing Ivanov’s fatigues, as smoke filled the cockpit. The Russian shook his aching head to regain his bearings, blinking to clear his blurry vision. He felt blood trickle down his left cheek. Cursing, he struggled to free himself from the seatbelt, and a giant hand smashed the ground in front of the downed aircraft, quaking the earth and rattling his teeth. A shadow fell over the cockpit as the rebirthed cyborg dragon slithered by, a low rumble echoing with his every movement.

A rare smile cracked Ivanov’s face.

He finally unbuckled the seatbelt and turned to speak with Nikitin–only to find the man lying dead in a mangled heap with the pilot’s thrashed corpse. The tablet lay shattered next to him.

“May the dragon avenge you, comrade!” whispered Ivanov.

He reached into his pocket and produced a cellular phone and tapped its cracked screen. It rang twice before someone answered. “I require extraction,” Ivanov said.

A voice with an Asian accent replied in English, “Is it done?”

“Yes, Kang, Apollyon lives!”

NaNoWriMo Project – Apollyon: Body and Soul

Artwork by Tyler Sowles. Designed by Nathan Marchand.

For the first time, I’m participating in National Writing Month (NaNoWriMo), albeit “unoffically.” I say that because I’m not registering nor am I aiming for a 50,000-word novel. I plan to write 25,000-30,000 words for a much-requested sequel to my kaiju novella, Destroyer, which I co-wrote with Natasha Hayden, Timothy Deal, and Nick Hayden. Below is the just-finished prologue.

If you’d like to watch my progress in real time, join the Patreon for my podcast, The Monster Island Film Vault, for as little as $3 a month. Otherwise, watch for a new book from me soon! Enjoy!

Prologue: Resurrection

Hydraulics growled as the Ilyushin Il-215’s jet engines rotated to VTAL position. Ivanov tapped a few buttons on the aircraft’s dashboard with his calloused fingers, and the words, Autopilot Activated, appeared on the monitor. The dark-haired, hard-faced man stood, reflexively brushing flecks of dried blood from his camouflage fatigues, stepped over the aircraft’s dead pilot on the floor, and walked out the cockpit’s door to the transport’s long main bay. There he saw his lieutenant, Nikitin, also clad in dirty fatigues, standing by a Typhoon Titan armored truck. The vehicle bore several years of rust after years of sitting in storage after the World War. Nikitin was a haggard man with a shaved head and long scars on both cheeks. 

“Remember the Coalition!” said Ivanov in Russian.

“It will rise again!” replied Nikitin, also in Russian.

“We’ve reached the coordinates above the Zmei Crater, comrade. We have little time before the VVS realizes we have stolen their aircraft.”

“Do not worry. I have completed the Muromets Cocktail and placed it in the Typhoon. It will provide excellent raw materials for the microbots.”

“We lost a dozen Warriors gathering the alien crystals, dinosaur DNA, and alloys for it. If their sacrifices are wasted, you will pay with your life.”

“I assure you, comrade, we will succeed for the glory of the Coalition!”

Ivanov tapped several buttons on a control panel on the wall. Hydraulics hissed as gray light flooded the tunnel-like bay from the back of the aircraft. The thunderous wind coming from the open hatch was not unlike a roar shooting from a great maw, Ivanov thought. “‘Come not between the dragon, and his wrath,’” he said.

“Indeed,” replied Nikitin.

Ivanov pressed a final button, and the clamps restraining the Typhoon snapped off the vehicle’s wheels, letting it roll back and disappear out the hatch.

***

Darkness. Unending.

Coldness. Smothering.

Silence. Everlasting.

Crash!

Bugs crawling.

Teeth biting.

Eyes…seeing.

Lost limbs regrown.

Open wounds closed.

Severed sinews reconnected.

Skin wraps his body.

He feels the dirt.

Buzzing fills his ears.

Fire burns in his throat.

Heart beats in cold fire.

Blood flows in metal veins.

A voice cries in his brain.

Moaning escapes his throat in response.

His hands claw at the cliff.

***

Ivanov maneuvered the aircraft in a patrol pattern around the Zmei Crater under Russian radar for several hours. Waiting. Waiting for the results of this grandiose and desperate experiment. An experiment to avenge Mother Russia’s disgraceful defeat. What better way to do so than the irony of reviving the enemy’s greatest weapon and unleashing it upon them? Yet still, they wait.

“We must go, comrade,” said Nikitin, who sat in the co-pilot chair, “before the VVS finds us!”

Ivanov shot him a glare. “No, not until we know if the dragon lives again!”

“And join our fellow patriots in Siberia? No!” Nikitin threw his headset on the dashboard and shot to his feet.

But as he stormed off, Ivanov called, “Down there! Something moves!” Nikitin looked out the windshield where his leader pointed.

A few hundred feet below, a huge metal hand half-covered in blood-red flesh rose from the crater. Its claws dug into the ground, anchoring themselves, and with a great heave, a malformed cyber-serpent dragged itself from the hole. Crimson skin seemed to grow on its half-melted endoskeleton. A crown of horns slowly grew on a head that flopped wildly like a suffocating fish. It crawled on the ground like a snake, leaving a trail of dark fluids and dead scales in its wake.

“The dragon lives!” exclaimed Ivanov. 

Nikitin pulled a computer tablet from his coat pocket and unfurled it. “I will upload instructions to the microbots to begin Operation: Dragonstrike.”

As if in response, one of the dragon’s red eyes flared, shooting a crimson laser.

A crash. Alarms blared. Red warning lights flashed on every dashboard monitor. The Il-215 spun and lurched and divebombed. Ivanov fought the control stick as his lieutenant screamed behind him. With lightning reflexes, he tapped buttons to lower the landing gear and forced the aircraft level out. But it landed cockeyed and slid across the rugged ground, grinding to a halt several long seconds later. It lay at a 60-degree angle, propped on a broken wing. 

Sparks flared from the dashboard, singeing Ivanov’s fatigues, as smoke filled the cockpit. The Russian shook his aching head to regain his bearings, blinking to clear his blurry vision. He felt blood trickle down his left cheek. Cursing, he struggled to free himself from the seatbelt, and a giant hand smashed the ground in front of the downed aircraft, quaking the earth and rattling his teeth. A shadow fell over the cockpit as the rebirthed cyborg dragon slithered by, a low rumble echoing with his every movement.

A rare smile cracked Ivanov’s face.

He finally unbuckled the seatbelt and turned to speak with Nikitin–only to find the man lying dead in a mangled heap with the pilot’s thrashed corpse. The tablet lay shattered next to him.

“May the dragon avenge you, comrade!” whispered Ivanov.

He reached into his pocket and produced a cellular phone and tapped its cracked screen. It rang twice before someone answered. “I require extraction,” Ivanov said.

A voice with an Asian accent replied in English, “Is it done?”

“Yes, Kang, Apollyon lives!”

Chapter 1: Nightmares

Scary Stories: I Review the Horror Films I Watched for Halloween 2023

October was frustrating for me. My car broke down and wasn’t properly repaired, so I ended up stuck at my apartment and spending a fortune on Uber rides to my day job. Aside from tabling at Fantasticon Fort Wayne and attending a costume party at The Fort Wayne Ballroom Company, I didn’t get to do most of what I normally do for Halloween. However, I was able to watch my fair share of horror films, spanning multiple decades and several countries. I saw several for the first time this year, so here are some quick reviews of them.

Versus: I’ve been aware of Ryuhei Kitamura’s independent 2000 action-horror movie for a while, but I only just this year saw it. While I’ve unabashedly liked his work with Godzilla: Final Wars, I assumed this was just another edgelord-y, ultraviolent zombie shoot-‘em-up—and it is. But it’s highly entertaining and well-executed. It knows it’s basically a live-action anime and embraces it. What surprised me were the character moments and lore. This movie is equal parts Matrix, samurai, and Highlander, among other things. The heroes and villains are clearly defined. The zombies were unlike any seen at the time (i.e. gun-toting). It isn’t for the faint of heart, but if you can stomach the original RoboCop, you’ll have a great time with this.

The Phantom of the Opera (1943): This was the last of an eight-film blu-ray set of classic Universal Monster films I hadn’t watched. I admit I haven’t seen the 1925 silent version, but I have seen the version of the musical, and I own a copy of the original novel. All that to say, I was a bit underwhelmed by this film starring Claude Raines as the titular Phantom. It focuses more on the drama than the horror and makes the Phantom much less mysterious. The sets are lush, the set pieces often grand, and the script is solid, but I have a feeling I’ll prefer the 1925 version.

Parasyte, Parts 1-2: While this is often called a duology, I view it as a two-part film. It could be described as a Japanese take on John Carpenter’s The Thing, but as much as I love that film, that description is reductionist for Parasyte. This adaptation of Hitoshi Iwaaki’s sci-fi/horror manga from director Takashi Yamazaki is one of the most unique, riveting, and philosophical horror films I’ve seen in a long time. It has more twists and turns than a mountainside highway and one of the strongest narratives I’ve seen in a genre film. Part 1 is a bit better than Part 2, but it’s still great. I’m curious to read the manga and see the anime, Parasyte: -The Maxim-, at some point.

Carnival of Souls: For some reason, I thought this was a 1930s film (it was released in 1962) and featured on Mystery Science Theater 3000. (Mike Nelson did a comedic commentary for a DVD release). While it was regarded as a B-movie, Criterion released it a couple times, and it was their DVD edition I saw. This is no B-movie but an artsy psychological horror film. Mind you, I called the ending inside of the first 10 minutes (it was inspired by a French short film adaptation of “An Occurrence at Owl Creek Bridge,” which was used as an episode of the original Twilight Zone), but that didn’t detract from the journey. Heck, it still leaves me with a few unanswered questions. I highly recommend it!

The Fly (1958): I was shocked at how macabre this was, especially for a 1950s studio film. While some may find the story absurd and the special effects quaint at best, I was riveted. The reveal of the fly-headed man still shocked me and the high-pitched cries of the white-headed fly as a spider encroaches on it were unnerving. I plan to read the short story that inspired it, but from what I read, they’re similar other than a change of setting and a “happier” ending. (Depends on how you define “happier”). Plus, it’s the movie that made Vincent Price famous despite him being a supporting actor. It’s a classic for several reasons!

The Fly (1986): I’d watched part of this remake before, so I decided to finish it after seeing the original. To call it a “loose remake” might be an understatement. It has the same premise, but the style, sensibilities, and story are quite different. The original was shocking for its time, but this is unbridled body horror. (It was directed by David Cronenberg, after all). Dr. Brundle, while still a tragic figure like his 1958 counterpart, ends up being more unlikable as he slowly transforms into an inhuman insect hybrid. The practical special effects are gross but have aged well. I even got some classic Universal Monsters vibes from “Brundlefly” toward the end. (An ending that was quite abrupt, I might add). Throw in Jeff Goldblum playing a nerd (what he does best) and a solid performance from Geena Davis, and you’ll have a good time if you can handle the several sex scenes and frequent grotesquery.

Shin Kamen Rider: Prologue: Yes, this early ‘90s Japanese “v-cinema” superhero movie is also horror. I’ve often heard it compared to Cronenberg’s Fly, which is why I watched that and the 1958 original in preparation for this. While I’m not as familiar with the Japanese superhero Kamen Rider as my Henshin Men co-host, I had enough frame of reference to evaluate it as a part of that franchise. Honestly, it’s just okay. It’s dark and gross and kinda boring. The Fly comparisons are apt, because it often copies that movie’s plot points, albeit weirdly. The best parts might be the horrific transformation scenes and the creature designs by Keita Amemiya. There are better Kamen Rider movies out there, so I’d only recommend this to the most hardcore Rider/tokusatsu fans.

Ringu: I saw the American remake of this J-horror classic years ago, and I remember it being good. I’ve been meaning to watch the Japanese original for a long time and finally pulled the trigger. The premise is fascinating but dated in the best possible way: anyone who watches a disturbingly bizarre VHS tape and answers a phone call dies a week later. The horror is more psychological than visceral and presents its premise like an urban legend. However, the film is less about amassing a body count and far more about unraveling the mystery of the tape, which taps into Japanese ghost stories. Sadako (or Samara in the American version) became a J-horror icon, and it’s no surprise why. If you enjoyed the Hollywood version or like J-horror or psychological horror, you need to watch this!

Kamen Rider: The Next*: I have an asterisk by this one because it’s a secret J-horror movie complete with a knockoff Sadako from Ringu. If you want to hear more about it, check the latest episode of my podcast, Henshin Men.

Happy belated Halloween!

What scary movies and/or stories did you experience during October? Leave your reviews in the comments below!

Website Update: Several Short Stories Removed

As an FYI to my readers, I have removed several of my speculative fiction stories from my website. These include “Bow to Your Sensei,” “Baptized in Fire,” and several others. I did so because they’ve been published in my short story collection, The Worlds of Nathan Marchand. You can always read them there. I appreciate your readership and support. Thanks!

You can purchase and review The Worlds of Nathan Marchand on Amazon.

The cover that CreateSpace kept refusing to approve.

The Perks and Perils of Having an Audience

Hollywood is now infamous for attacking its audience. Directors, screenwriters, and actors have gone on rampages in recent years, blaming fans for the failure of every bad movie and TV series. It’s one of several big reasons why even the seemingly invincible Disney is on the verge of collapse. To call it grand scale gaslighting would be an understatement.

I bring this up because I recently had a conversation with a fellow creator about the importance or unimportance of audience. For him, there are auteurs who simply want to share their vision with the world and don’t care about audience. They create for themselves. That’s his own personal philosophy. While I understand that and would say a creator must be passionate about what he makes, which means there’s some self-interest, I don’t see a point in sharing a work of art if it was made only for the creator’s benefit. If it’s only for them, why release it? By putting it out into the world, you’re asking an audience to engage with it, which has its positives and negatives. (I said, “invite,” and not “engage” during this conversation, which I now realize wasn’t the best word choice). At that point, it can’t only be about the artist.

When I was in college learning how to be a writer, I was trained to always think about audience. It would determine what I wrote and how I wrote it. Sometimes that audience was only me. Most of the time, though, it was for others. Writing, as I was taught, required a level of service and selflessness. I had to know what the audience wanted and give it to them; or I had to learn how best to explain something to the audience. Different genres, publications, and mediums appealed to different demographics. Understanding them often required research. By catering to the audience, you could increase your chances of success. An audience is annoyed by most art that’s obviously made for the artist’s enjoyment and not the audience’s enjoyment.

Now, what an audience says they want isn’t always what they actually want. Or, in some cases, what they want isn’t what they need. That’s where a creator can take risks and try something different. Otherwise, an art form can never evolve. An audience may complain, but that doesn’t mean their opinions are gospel truth. An artist should have the confidence to disregard bad faith feedback but also the humility to accept good faith criticism. Deciphering which is which, especially in the polarized times we live in, can be difficult if not nerve-wracking.

Some would say the audience doesn’t matter unless they’re paying customers. I agree to a certain extent. This is especially true if a creator is sacrificing his emotional, mental, and/or physical wellbeing to please his audience. But there are other ways an audience can “pay” a creator. As a podcaster, I don’t charge listeners for my material, but they “pay” me with their time. They invite me into their day as they jog, work out, or clean their house. Some even go the extra mile and e-mail me feedback or write reviews on Apple Podcasts. I’ve gotten stories about how my podcasts help listeners get through their days or survive hardships. I don’t take any of that lightly. To do so would be the epitome of “biting the hand that feeds you.” I’d be no better than the narcissists in Hollywood.

I firmly believe art should be shared. But sharing it comes with risks. You can’t guarantee the audience will understand or appreciate what you make. That’s why in some cases, it’s best to keep it for yourself. Most of the time, though, you have to let those brainchildren go off into the world to forge their own paths, so to speak.

What do you think? How are audiences important or unimportant? How much weight should their feedback be given? Should an artist only create for himself? Leave your comments below!

My Upcoming Book Signings and Conventions 2023

My book signings have been few and far between since the pandemic, but now I’m finally getting back into the swing of things! The next six months or so will be quite busy for me when it comes to conventions, and I’m looking forward to it. I’ll be back in my element (well, my other element). So, here’s a quick rundown of my upcoming appearances.

Local Author Fair – Eckhart Public Library in Auburn, IN
DATE: April 22, 2023.
TIME: 10am-2pm
LOCATION: Eckhart Public Library – Auburn, IN

I’ll be one of 15 local authors from northeast Indiana selling books at the Eckhart Public Library. I’ll also be part of the fiction writing panel (the other two are on nonfiction and poetry). The Brown House Foodmobile and Hoosier Mama food trucks will be there.

Learn more about the event on the library’s website.

Days of the Dead – All Monsters Attack 2: Chicago S.O.S.
DATE: May 7-9, 2023
TIME:          Friday: 5pm-10pm
                        Saturday: 11am-7pm
                        Sunday: 11am-4pm
LOCATION: Crowne Plaza Chicago Ohare Hotel & Conf Ctr. Rosemont, IL

I attended this upstart spin-off convention last fall as a con-goer, but this year I’ll be tabling there to promote Kaiju Ramen Magazine, a publication for which I edit and write. It’s a kaiju-focused con with a guest list that goes on for days. Check out the convention’s website for more details.

JAFAX
DATE: June 9-11, 2023
LOCATION: DeVos Place Convention Center – Grand Rapids, MI

My friend Eric Anderson of Nerd Chapel is in the process of acquiring a table that he will share with me and our friends Tim and Becky Smith of the Redeemed Otaku podcast. This is an anime convention. I’ve never attended it before, so I don’t know what it’s like. Because we don’t have a table guaranteed, my attendance is uncertain, so stay tuned for more. Read more about the event on its website.

G-Fest XXVIII
DATE: July 14-16, 2023
LOCATION: Hyatt Regency O’Hare – Rosemont, IL

The biggest kaiju convention in North America returns to the Hyatt in Rosemont. I’ll be part of several panels on various subjects and attending many events. The details of the panels are still being worked out, so stay tuned! Learn more about the show at the G-FAN magazine website and the event’s new website.

Gen-Con 2023
DATE: Aug. 3-6, 2023
LOCATION: Indiana Convention Center, Indianapolis, IN

After taking a year off, I return to the “best four days in gaming” in Authors Avenue. I may also look into hosting some events. This is my flagship convention, and I can’t wait to see my Gen-Con friends again! Learn more about the event on its website.

The next few conventions are events I’m interested in attending or have been offered a spot by friends, but details are still being worked out. I’m including them so you know where I might be. Watch for updates!

-Ramencon (Sept. 29-Oct. 1, 2023)
-Bangor Comic and Toy Con 2023 (Oct. 13-15)
-Fantasticon Fort Wayne 2023 (Oct. 28-29, 2023)

Like I said, I’m gonna be busy!

I look forward to seeing all of you! Bring your books to be signed or come to buy some!

Monster Island Film Vault Playlists (and Other Podcasts)

I haven’t stopped writing–I’ve just been writing for my podcasts! One of those is The Monster Island Film Vault, a podcast seeking entertainment and enlightenment through tokusatsu. Here are the YouTube playlists for each season of the show, but you can listen to it wherever you get your podcasts and its website, www.monsterislandfilmvault.com.

I also co-host the pocasts Henshin Men and The Power Trip, and I’m a cast member on Scyther Podcasts’ Power Ranger: The Audio Drama.

Season 1

Season 2

Season 3

What I’m Thankful for – 2022 Edition

People nowadays just think of today as a day for food and football, but it’d behoove all of us to stop and be grateful. The last few months I’ve needed to remind myself of that. There are times it still does seem pointless, but it teaches you humility and, well, gratitude. So, here it goes.

  1. My faith in Jesus Christ.
  2. My family.
  3. My new church.
  4. My previous church (which is now closed).
  5. My apartment.
  6. My podcasts (The Monster Island Film Vault, Henshin Men, The Power Trip).
  7. That I’m a cast member on Power Rangers: The Audio Drama.
  8. My master’s degree.
  9. The jobs I worked this year.
  10. My car.
  11. My collectibles.
  12. My book collection.
  13. My DVD and blu-ray collection.
  14. Moses, the new family cat (he was rescued from a marsh).
  15. My friends.
  16. My gaming consoles.
  17. My phone.
  18. My laptop.
  19. That I got to meet some great celebrities, including Jason David Frank.
  20. My fans and readers.
  21. My websites.
  22. That I got to be a panelist at G-Fest.
  23. That conventions restarted in earnest this year.
  24. Movie theaters.
  25. Comic shops.

Why I’m Not at Gen-Con This Year

I’ve been a staple at Gen-Con, a massive four-day gaming convention in Indianapolis, for a decade. I’ve tabled in Authors Avenue in the vendor hall since 2020, but even then, I taught a pair of online panels in the free online version held during the off-year. I’ve networked with many authors there, sold hundreds (if not more) books there, expanded my readership there, and met some amazing friends there.

But this year, I’m staying home. In fact, I canceled my vendor hall table in June.

Why? I’m not allowed to be there. Not because of something I did, but because of something I didn’t do.

This year Gen-Con required COVID vaccination cards to get in the door. This decision wasn’t finalized until two months before the convention. I’d reserved a table in February. I only got half of my money back when I canceled—because I’d chosen not to get vaxxed.

Before I continue, let me make several things abundantly clear:

  • I am not anti-vax.
  • I am not anti-science.
  • I have simply chosen not to get the vaccine. I’m admittedly a little hesitant with how fast the vaccine was produced, but I’m incredibly healthy and hygienic. I’ve gone for 2 ½ years without getting COVID (unless I was asymptomatic).
  • I’m not here to argue about the medical science of COVID and the vaccine. That invariably turns into a quagmire because everyone can site sources that seem to back up their position. Honestly, the science is immaterial to the issue with Gen-Con.

What I will argue is still potentially dangerous. I could lose readers and/or friends over it. (Welcome to the world we live in). It might even be considered grounds for “cancelation.”

But I must speak up.

This vax card requirement by Gen-Con makes no sense. The COVID-19 pandemic is over, for all intents and purposes. In my home state of Indiana (where Gen-Con is held, in case you forgot), we have returned to what feels like 90-plus-percent pre-2020 normal. Last year, Gen-Con held a half-size show while the pandemic was ongoing but subsiding. Precautions were taken, such as requiring masks. It was “diet Gen-Con” in many ways, but I can vouch for it being a success. Heck, I made more money in Authors Avenue than I ever had before! I expected Gen-Con would relax their restrictions in 2022.

Instead, they’ve done the opposite.

Why?

I suspect politics.

It’s no secret that Gen-Con’s management are leftists. In 2015 when then-governor Mike Pence signed the Religious Freedom Restoration Act, the CEO of the convention threatened to break contract with the city of Indianapolis and move the show out of state in protest. Thankfully, that didn’t happen, but it showed the organization’s true political colors. Now politics are influencing how they manage their business. It’s at best misguided virtue signaling and at worst a thinly veiled attempt to identify the political demographics of Gen-Con’s customer base and, I would argue, bar some from attending based on those politics. The problem is some people—such as several members of my family—haven’t gotten the vaccine because of their politics but because of pre-existing health conditions that would be aggravated by the vaccination. Why should such people be prohibited from attending Gen-Con along with the “evil” antivaxxers if they want to be there?

This decision makes Gen-Con an outlier. While I’m sure there are other cons that have such requirements now, I can’t think of one. (Feel free to mention any in the comments below). This year I’ve attended both Indiana Comic-Con (which is in the Indiana Convention Center, the same venue as Gen-Con) and G-Fest (which is held in Chicago, a city that only recently relaxed its stringent COVID restrictions), neither of which required vax cards. And guess what? Everything went fine. No one said anything one way or the other. Nobody died. The attendees just enjoyed themselves. Gen-Con could’ve compromised, as many venues and shows have done in the last year. A negative COVID test within three days of the con? Sure. A mask mandate? Fine. Social distancing and other precautions? Understandable. But a vax card requirement is a bridge too far.

I’ve debated if I still would’ve attended Gen-Con if I was vaxxed. While I can’t say for sure, I think I would’ve canceled on principle and as a sign of solidarity with friends who couldn’t or wouldn’t attend because of this decision.

After the success of last year’s Gen-Con despite reasonable restrictions, this vax card requirement is a baffling, presumptive, and seemingly prejudicial decision. It’s bad for PR. While I don’t wish failure on this year’s con, I do hope that the powers-that-be at Gen-Con corporate get plenty of pushback about this and drop the requirement for next year’s convention. I’ve spoken with other Gen-Con fans who’ve been unfairly excluded by this. We aren’t going to get a COVID shot just to participate in “the four best days of gaming.” There are other cons who don’t have these restrictions who will be happy to have our time and money. It’s not 2020 anymore. We’ve moved on.

Gen-Con should, too.

A Man from Another Time Exploring Another Universe