Tag Archives: The Monster Island Film Vault

All My Podcast Appearances (Feb. 2024)

It’s been five years (crazy, right?) since I updated my podcast appearances for y’all. Being that I’ve (co-)hosted three in almost five years, there are a lot more to discuss! Before I add some more, be sure to read my previous posts here and here and here for my first lists. I’ll do my best to include every appearance, but I may miss one or two. If I do, let me know.

My Podcasts
These include The Monster Island Film Vault, Henshin Men, and The Power Trip: A JOurney through the Power Rangers Franchise.

All My MIFV/Tokusatsu-related appearances
This is a full list of my guest appearances related to my shows.

Strangers and Aliens
GODZILLA: KING OF THE MONSTERS – SA315
June 7, 2019
Just a few short months before I started my own kaiju podcast (again), I was featured on Strangers and Aliens to discuss the second entry in the MonsterVerse.

STAR TREK II: The Wrath of Khan and William Shatner Live – SA401
February 21, 2023
Official description: “Recently, Ben joined his friends William and Nathan Marchand to see a theatrical showing of Star Trek II: The Wrath of Khan, which also had William Shatner do a live stage performance that was sort of a Q&A session. But it was really just an excuse for Shatner to tell some hysterical stories from his long career. For over an hour.”

Up From the Ashes
“Lazarus from the Mist”: THE STARLOST Ep. 2 – UFTA 003
September 21, 2023
I make my first appearance to discuss an episode of an obscure and infamously bad canadian sci-fi TV series from the 1970s.

“The Alien Oro”: THE STARLOST Ep. 7 – UFTA 008
November 2, 2023
In my second appearance, I discuss one of two episodes of The Starlost to feature Walter Koenig of Star Trek fame.

X-Men: The Audio Drama
Season 3, Episode 10: “The Trial of Magneto”
March 23, 2023
After playing Rito Bandora for most of season 3 of Scyther’s Power rangers: The Audio Drama, I make my debut on their X-Men show as, of all people, Deadpool. I’m a post-credit gag.

There’s plenty more forthcoming! Stay tuned!

The Journal of the Plague Fortnight, Day 3: What Artists Contribute

My day started with a trip to BioLife to donate plasma. I was late (I’ve gotten into a bad habit of doing that), and with the coronavirus scare, the check-in procedures have been reordered. Today, unfortunately, my protein levels were too low to donate. It was the first time in months this has happened. But as Scarlet O’Hara said, “Tomorrow is another day.”

With no excuse to be out of the Fortress of Solitude, I returned. First order of business: I finished editing the trailer for Kaiju Quarantine. I had to bug my fellow podcasters to send me their lines. One recorded the wrong lines and, for whatever reason, his audio file was a garbled mess in Audacity. So, I had him send me a new file. Despite Audacity giving me issues with file locations (an issue that concerns me), I put the trailer together and posted it in my podcast’s feed. I shared it with my fellow podcasters for them to disseminate.

That brought me to lunch and more UltraSeven with Jarod.

My plan was to spend the rest of the afternoon grading papers—and the distraction issues plagued me again (no pun intended). I didn’t get through all of my students’ papers. I don’t know what it is with me. Perhaps I’ve allowed myself to think I have more time than I do. Maybe the lack of structure is making me careless. Conceivably (hey, I needed a synonym, okay?), I’ve been away from school for too long, and now with everything turned upside down, I haven’t found a new rhythm yet.

(Random aside: Has anyone noticed how weird the word “rhythm” is? It has no true vowel and is a weird combination of consonants).

It might be more necessary than ever for me to keep myself off my phone, especially now that it’s become my only real source of social interaction.

While eating dinner, I watched a bit of Super Sentai Jetman on Tokushoutsu through the PlutoTV app. Every time I see it I’m shocked at how bipolar it is. One scene it’s being a silly teen rom-com, the next a hero is slashing his palm to save his girlfriend. And this was a kids’ show in Japan! Talk about cultural differences!

I punctuated my day with a new endeavor: video game streaming. I broadcast my playthrough of the game Override: Mech City Brawl through my PS4 to my podcast’s YouTube channel. It was one way I’ve tried to provide some much-needed entertainment for people who are stuck in lockdown/quarantine. I’ve realized that what artists/creatives provide in troubled times like these is exactly that: entertainment. We create an oasis in the desert of uncertainty. Listen to, read, or watch us to forget your worries, if only for a short time. It helps fight off the depression. It’s a vastly underappreciated service. People don’t realize how important it is until they desperately need it.

Here’s the video of my stream, if you’re interested in seeing it:

I may do it again. I (foolishly) tried to play the game on hard mode, so I wasn’t able to finish the campaign even after four hours. I think I’ll move on to Shadow of the Colossus after this.

What did you do to pass the time today? Let me know in the comments below!

Writing, Podcasting, and the Shiny New Thing

The pen or the microphone?

This week I begin my penultimate semester of grad school. Part of that will be writing a brand new standalone novel as my creative writing thesis. Amidst all of that, though, I am also producing a twice-monthly podcast, The Monster Island Film Vault. The irony is I’ve noticed for a while that it’s become easier for me to do anything related to the podcast than my writing.

I’m annoyed by this. Some of it is a time management issue, but I think it goes deeper than that. It certainly isn’t a lack of passion or ideas (heck, both of my grad school classes this semester are writing classes). I’ve long joked that I have more ideas than I have years left to write. I think this shift happened for two reasons: imminent deadlines and immediate praise.

My podcast’s episodes drop on the second and fourth Wednesdays of each month. Yes, that’s a self-imposed schedule, but from what I’ve read, the audience comes to expect one to keep his schedule. This keeps me on my toes and makes me carve out time for research, recording, and editing. Do I perhaps try to get each episode finished sooner than it needs to be? Oftentimes. Part of that comes from overestimating how long it will take. Other times I make excuses like, “I can get more done editing an episode for 30 minutes than I will writing for 30 minutes.” It’s illogical, but humans aren’t always logical. (Sorry, Spock!). It simply feels easier at points to podcast than write (despite the podcast requiring a lot of writing). I’ve found myself worried that I’ve lost my first love as a creative.

The second reason is harder to shake off: immediate praise. That isn’t to say that glowing reviews started coming in within an hour of my first episode dropping or whatnot. However, as more episodes were posted and I promoted the show, more people listened and told me they loved it. The positive reviews came faster and more frequently for the podcast than for any of my books (and it’s not like I don’t promote the heck out of my books and don’t have readers wanting more of them). There’s a lot I could say about why my podcast seems to be making a splash in the kaiju/Godzilla fandom, but those ultimately feed into my need for affirmation. I don’t consider this a weakness; no, it’s one of the famous “5 Love Languages.” Hearing and reading positive feedback with every episode incentivizes me to continue. I think this is why I eventually burned out with my YouTube channel: I wasn’t getting that feedback as fast or frequently. The challenge now becomes making sure the praise doesn’t become like a drug. I want to make this podcast because it’s fun and because I want to be a positive and unique voice in the kaiju fandom. I can’t let this—or anything, for that matter—become a crutch for my ego.

Aye, there’s the rub.

All of these combine to make something that’s new and exciting, so I’m still in the thick of the novelty of this project. That amplifies the excitement: it’s my “shiny new thing” right now. Lord help me when I come off that high!

There is something to be said about writers doing podcasts, though.

As a creative, what do you do to keep your work from becoming a crutch for your ego? Let’s discuss it in the comments below!

The Monster island Film Vault, Episode 7: ‘Half Human’ (Mini-Analysis)

I was making so merry for Christmas I forgot to share the latest episode of my podcast here! That will be amended! Enjoy!

Merry Christmas, kaiju lovers!

As part of Nathan’s continuing series on films covered in his absence on Kaijuvision Radio, this mini-sode examines Ishiro Honda’s 1955 film Half Human, which is infamous for being banned by Toho. Heck, it was stashed so far back in the Island’s film vault, it took Goji-kun and Bro Kong (the podcast mascots and possibly Godzilla and Kong’s “little” brothers) a long time to find it for Nathan to watch. Strange as it may sound, it’s serendipitous that this episode was released on Christmas Day because the film takes place partly on New Year’s Day. It follows a group of scientists and students investigating the appearance of the Abominable Snowman in the Japanese Alps, where they encounter a savage tribe who worships the Snowman. Nathan’s analysis focuses on the natives, their parallels to the Ainu (Japan’s indigenous people), and how this portrayal got the film banned. He argues that, despite possible insensitivities, Half Human is unfairly censored and deserves to be viewed by a wider audience.

All this plus our first listener feedback letters and the Monster Island Christmas party—wherein Nathan learns that kaiju can sing Christmas carols (or so his intrepid producer, Jimmy From NASA, tells him even though he hasn’t fixed the ORCA yet).

Here’s the Kaijuvision Radio episode on the film: Episode 38: Half Human (1955) (Genetic Origin of the Ainu People).

Here’s the blog with the rules for the Destroyer novella giveaway.

This episode featured “We Three Kings” by Jay Man (OurMusicBox on YouTube).

See you in 2020, listeners!

#JimmyFromNASALives

© 2019 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading

Check out the latest episode of my podcast, where I’m joined by my friend and fellow writer Nick Hayden. Enjoy!

Hello, kaiju lovers!

In the latest episode of the “Kong Quest” (which is finally mentioned by name on the air!), Nathan is joined once again by author and “Golden Ticket Tourist” Nick Hayden of the Derailed Trains of Thought podcast to discuss the wacky but fun King Kong Escapes. Like with the 1933 film, this is Nick’s first time seeing this 1967 Toho classic, which was the second (and sadly last) of Toho’s Kong films, as it was made in the last year they held the rights to the Eighth Wonder. This is a first for the show as it’s the first tokusatsu film directed by the great Ishiro Honda covered on the podcast. It’s a crazy nexus of ideas borrowed from other productions and some that seemed to anticipate others. For one thing, its villain, Dr. Who, is both a derivation and a precursor to the famous British TV series! Nathan and Nick also note some funny connections to Rankin-Bass’ classic holiday special Rudolph the Red-Nosed Reindeer given that they collaborated with Toho on this live-action cartoon.

The Toku Topic is how Toho’s Japanese-American co-productions paralleled Japan-America relations.

Stay tuned after the credits for a Marvel-style stinger and an important announcement.

Timestamps:
Intro: 0:00-3:25
Entertaining Info Dump: 3:25-11:25
Toku Talk: 11:25-52:57
Toku Topic: 52:57-1:19:25
Outro: 1:19:25-1:24:50
Stinger:  1:24:50-end

© 2019 Moonlighting Ninjas Media

Bibliography/Further Reading:

The Monster Island Film Vault – Episode 4: Timothy Deal vs. ‘Son of Kong’

I know I haven’t been blogging much lately, but here’s the latest episode of my podcast to tide you over. I’ll write more about the lack of posts later.


Hello, kaiju lovers!

After Jimmy From NASA flies him back to Indiana to get his microphone, Timothy Deal of the Derailed Trains of Thought podcast returns to Monster Island to continue the “Kong Quest” with Son of Kong, the almost forgotten sequel to King Kong. If the 1933 masterpiece is a grand myth, the sequel is a pleasant bedtime story. Screenwriter Ruth Rose, when talking about writing this film, said, “If you can’t go bigger, go funnier,” which is an apt statement about this film and sequels in general. Nathan and Tim’s lively discussion connects Son of Kong to the Russian film Battleship Potemkin, Raiders of the Lost Ark, and Terminator 2: Judgment Day—and gives Jimmy a lot of work for “Jimmy’s Notes.” They also theorize about what happened to “Mrs. Kong”/Kiko’s mother, which actually puts this and the first film into perspective…sorta. The Toku Topic builds off of the previous one with a philosophical discussion of how 1930s filmmakers addressed the Depression in their movies, touching on themes like escapism and collective rage.

Here’s the Kaijuvision Radio episode on King Kong vs. Godzilla for you to listen to as part of MIFV’s Kong coverage: Episode 8: King Kong vs. Godzilla (1962) (The Japanese Economic Miracle (The Golden 60s))

Timestamps:
Intro: 0:00-3:49
Entertaining Info Dump: 3:49-9:43
Toku Talk: 9:43-56:24
Toku Topic: 56:24-1:19:44
Outro: 1:19:44-end

© 2019 Moonlighting Ninjas Media

Bibliography/Further Reading
“Culture and Politics in the Great Depression” by Alan Brinkley

“Escapism” (Wikipedia)

“Escapism and Leisure Time 1929-1941” (Enclopedia.com)

“How the Great Depression inspired Hollywood’s golden age” by Paul Whitington

Kaijuvision Radio, Episode 2: Godzilla Origins – King Kong (1933) and The Beast from 20,000 Fathoms (1953)

King Kong: History of a Movie Icon from Fay Wray to Peter Jackson by Ray Morton

Kong Unbound: The Cultural Impact, Pop Mythos, and Scientific Plausibility of a Cinematic Legend (edited by Karen Haber)

Kong Unmade: The Lost Films of Skull Island by John LeMay

Son of Kong Wiki Articles
Gojipedia
Wikizilla
Wikipedia

Son Of Kong (1933) Review – Kong-A-Thon Episode 2 (DMan1954)

Tracking King Kong: A Hollywood Icon in World Culture (2nd edition) by Cynthia Erb

The Uses of Enchantment: The Meaning and Importance of Fairy Tales by Bruno Bettelheim (pg. 45-60)

“Why Fantasy Matters Too Much” by Jack Zipes



The Monster Island Film Vault, Episode 3: The Godzilla Anime Trilogy (Mini-Analysis)

Enjoy the latest episode of my kaiju/tokusatsu podcast! In this one, I discuss the divisive Godzilla anime trilogy from netflix.

Hello, kaiju lovers!

Welcome to our first minisode! (Well, our second, according to my intrepid producer, Jimmy From NASA). This is the first of a series of episodes where I’ll be analyzing films I was unable to cover on my previous podcast. In this one, I’m discussing the divisive Godzilla Anime Trilogy. Fans either love it or hate it. Me? I like it—a lot. I debunk some of the unfair criticisms of the trilogy, but the meat of my analysis is focused on how each of the four races in the trilogy—the Humans, the Bilusaludo, the Exif, and the Houtua—each exemplify different philosophies and how most of them take their worldviews to the extreme.

There’s a lot of material here—so much that Monster Island’s Board of Directors calls to say I violated my contract! Listen as Jimmy acts as my agent to keep me from being shot into space (he deserves a bonus for practically being my agent).

Here are the podcast episodes I mentioned in the episode. I recommend listening to them—especially the Redeemed Otaku episodes—if you want to hear a review of this trilogy from me.

Kaijuvision Radio Episodes

Episode 47 (1/3): Godzilla Anime Trilogy (2017-18) – General Reflections
Episode 47 (2/3): Godzilla Anime Trilogy (2017-18) – Main Discussion
Episode 47 (3/3): Godzilla Anime Trilogy (2017-18) – Bigger Than Human Existence

Redeemed Otaku Episodes

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

Bibliography/Further Reading

American Humanist Association: “Definitions of Humanism”

“Godzilla back as anime has human drama, fewer monsters” by Associated Press

Humanity +: “Philosophy”
“Max More – Transhumanism and the Singularity” (YouTube)

Internet Encyclopedia of Philosophy: “Nihilism”

“There is no sharp distinction between cult and regular religion” by Tara Isabella Burton (Aeon Magazine)

“Transhumanist Values” by Nick Bostrom

“Updated Charts: Screen Time, First Appearance, Attendance” by Joker Cluster

“What is a Cult?” by James M. Rochford

“What is Transhumanism?”

Wikipedia Articles:
Aum Shinrikyo
Clarke’s three laws
Humanism
Jonestown
Mass suicide
Transhumanism

New MIFV Episode – Episode 2: The Tourists vs. ‘King Kong’ (1933)

Check out the first full-length episode my of new podcast, The Monster Island Film Vault, featuring Nick Hayden and Tim Deal from the Derailed Trains of Thought podcast and my friends Joe and Joy Metter. Enjoy!

Hello, kaiju lovers!

Our “Kong Quest” begins!  😛 Nathan is joined by his core group of Monster Island Tourists—Nick Hayden & Timothy Deal of the Derailed Trains of Thought podcast and Joe & Joy Metter—to discuss one of the greatest movies ever made: 1933’s King Kong. What’s interesting is none of these Tourists had seen this classic film before coming to the Island, so you’ll hear their fresh reactions, opinions, and analyses to the Eighth Wonder’s first and greatest outing. Listen as each of them compete for best (or worst?) joke of the podcast (“No monkeying around!” says Nick). Along the way Jimmy From NASA gets sassy with the Tourists and has to corral a dog dubbed “Teddy Kong,” who keeps trying to make a cameo during the Toku Talk. The Toku Topic for this episode is the Great Depression since the film was made and released at the height of that period and indirectly mentions it several times.

Be sure to check out the latest episode of Nick and Tim’s podcast, Derailed Trains of Thought, where they visited Monster Island to discuss destruction as a story element with Nathan as a guest host. Their podcast is marvelous, and Nathan has appeared on multiple episodes.

Timestamps
Intro: 0:00-4:42
Entertaining Info Dump: 4:42-12:06
Toku Talk: 12:06-1:21:27
Toku Topic: 1:21:27-1:54:52
Outro: 1:54:52-end

© 2019 Moonlighting Ninjas Media

Bibliography/Further Reading

“Depression, You Say? Check Those Safety Nets” by Charles Duhigg (The New York Times)

King Kong Wiki Articles:
            –Wikipedia
            –Gojipedia
            –Wikizilla

Kaijuvision Radio, Episode 2: Godzilla Origins – King Kong (1933) and The Beast from 20,000 Fathoms (1953)

King Kong (1933) Review – Kong-A-Thon Episode 1 (D Man1954)

King Kong: History of a Movie Icon from Fay Wray to Peter Jackson by Ray Morton

Kong Unbound: The Cultural Impact, Pop Mythos, and Scientific Plausibility of a Cinematic Legend (edited by Karen Haber)

Kong Unmade: The Lost Films of Skull Island by John LeMay

“Prostitution – The Great Depression”

Tracking King Kong: A Hollywood Icon in World Culture (2nd edition) by Cynthia Erb

Wikipedia Articles:
            –Great Depression
            –Gold Standard
            –Smoot-Hawley Tariff Act
            –New Deal
            –Reflation
            –Roaring Twenties
            –Timeline of the Great Depression

“What Sex was Like During the Great Depression” by Melissa Sartone