After the longest of hiatuses, my old YouTube show returns as a live show/YouTube shorts series! I relaunched it for Gen-Con 2021, doing daily recap streams with my friend and co-author Eric Anderson, the founder of Nerd Chapel, discussing what we did at the convention and how our book sales went each day. Check out the playlist below!
Tag Archives: jarod marchand
The Journal of the Plague Fortnight, Days 4-5: Keeping Busy
I missed a day, so this entry will detail my first weekend in quarantine/lockdown.
Saturday I returned to BioLife, where I was able to donate. They’ve told me that plasma is desperately needed now, especially since the number of donors has dropped with people staying home. Just because there’s a pandemic going on doesn’t mean other medical issues have ceased. Also, they told me that there is some preliminary research that says plasma from people who’ve recovered from coronavirus may help those who are suffering from it. That may not hold up after more research, but it’s a good sign.
After returning to the Fortress of Solitude, I set up my podcast equipment to interview Eric Elliott, the mastermind behind the fan comic Batman Meets Godzilla, which is based on an unmade film back in the 1960s that would’ve featured the Adam West Batman battling the Big G himself. No joke. That interview should drop April 15. We had a fun time nerding out about comics and superheroes.
After lunch and more UltraSeven with Jarod, I got back to grading papers. I was determined to get them all done that day, if for no other reason than to do right by my students since we aren’t meeting in the classroom anymore. Sadly, I let myself get distracted (again) and got started a bit later than I wanted to. I spent the entire afternoon slaving over their papers, but even at 10-15 minutes a paper, I didn’t feel like I was burning through them fast enough, especially since I got a few late submissions the day before. It got to the point where I just couldn’t force myself to get going and took a break for thirty minutes to watch some YouTube videos. That left me rejuvenated. I wanted to have dinner with Jarod, but his eating schedule is so wacky, we ended up not doing it. That break lasted longer than I wanted it to. I plowed through what was left of the papers and had them done by late evening.
I punctuated my day watching a cheesy 1994 action film starring Roddy Piper and Sonny Chiba called Immortal Kombat on YouTube while giving live commentary with friends on Facebook messenger. The movie was kinda boring in the middle and had too many subplots, but the beginning and end were fun.
The next morning I “attended” church at home through their livestream. I was working a bit during it, though. I recently became the webmaster for their website, so I was updating the site while the livestream was going on. While I’m glad they’re doing this, it isn’t the same as actually being there. I miss the community.
Lunch and a double helping of UltraSeven followed. Then I spent some time writing a script for an upcoming podcast episode. But during that writing session, some friends asked me to play some video games with them online, and given that chatting with them while playing has become another avenue for me to connect with the outside world in all this madness, I took the offer. All I have to say is if you’re playing The King of Fighters XIV and meet a player named “Bumba Chunga,” you better bring you’re A-game. I finished that, but then another friend invited me to play after dinner, so I did.
Here’s the stream video my friend Sergio took of that session. It starts in the middle of my match. Sadly, you can’t hear my side of the chat.
By then it was close to 9pm. I still had to finish that script and do some reading for school, so I spent the next few hours doing exactly that. It wasn’t the most productive time, but hey, I needed a Sabbath.
What’d you do during your first weekend in quarantine/lockdown? Comment below!
The Journal of the Plague Fortnight, Day 3: What Artists Contribute
My day started with a trip to BioLife to donate plasma. I was late (I’ve gotten into a bad habit of doing that), and with the coronavirus scare, the check-in procedures have been reordered. Today, unfortunately, my protein levels were too low to donate. It was the first time in months this has happened. But as Scarlet O’Hara said, “Tomorrow is another day.”
With no excuse to be out of the Fortress of Solitude, I returned. First order of business: I finished editing the trailer for Kaiju Quarantine. I had to bug my fellow podcasters to send me their lines. One recorded the wrong lines and, for whatever reason, his audio file was a garbled mess in Audacity. So, I had him send me a new file. Despite Audacity giving me issues with file locations (an issue that concerns me), I put the trailer together and posted it in my podcast’s feed. I shared it with my fellow podcasters for them to disseminate.
That brought me to lunch and more UltraSeven with Jarod.
My plan was to spend the rest of the afternoon grading papers—and the distraction issues plagued me again (no pun intended). I didn’t get through all of my students’ papers. I don’t know what it is with me. Perhaps I’ve allowed myself to think I have more time than I do. Maybe the lack of structure is making me careless. Conceivably (hey, I needed a synonym, okay?), I’ve been away from school for too long, and now with everything turned upside down, I haven’t found a new rhythm yet.
(Random aside: Has anyone noticed how weird the word “rhythm” is? It has no true vowel and is a weird combination of consonants).
It might be more necessary than ever for me to keep myself off my phone, especially now that it’s become my only real source of social interaction.
While eating dinner, I watched a bit of Super Sentai Jetman on Tokushoutsu through the PlutoTV app. Every time I see it I’m shocked at how bipolar it is. One scene it’s being a silly teen rom-com, the next a hero is slashing his palm to save his girlfriend. And this was a kids’ show in Japan! Talk about cultural differences!
I punctuated my day with a new endeavor: video game streaming. I broadcast my playthrough of the game Override: Mech City Brawl through my PS4 to my podcast’s YouTube channel. It was one way I’ve tried to provide some much-needed entertainment for people who are stuck in lockdown/quarantine. I’ve realized that what artists/creatives provide in troubled times like these is exactly that: entertainment. We create an oasis in the desert of uncertainty. Listen to, read, or watch us to forget your worries, if only for a short time. It helps fight off the depression. It’s a vastly underappreciated service. People don’t realize how important it is until they desperately need it.
Here’s the video of my stream, if you’re interested in seeing it:
I may do it again. I (foolishly) tried to play the game on hard mode, so I wasn’t able to finish the campaign even after four hours. I think I’ll move on to Shadow of the Colossus after this.
What did you do to pass the time today? Let me know in the comments below!
G-Fest XXVI Report: The Best One Yet!
(Originally posted here on the Monster Island Film Vault website).
Hello, kaiju lovers!
I’m delighted to say that G-Fest XXVI was the best one I’ve attended yet. While I’m still a bit of a noob to this convention (this was my third year), I was once again impressed with the con-goers’ friendliness and family-like atmosphere. The best part was the sheer amount of support and recognition I received. A few people recognized me from my time on Kaijuvision Radio (which, contrary to some reports, I am the co-creator of that show). I seem to have made an impression on this fan community. I never expected that to happen. I like a lot of things besides Godzilla and kaiju, but it’s here that I’ve made some of my biggest strides of late.
But you didn’t come here to hear me gush. You want to know what happened that weekend.
My brother Jarod and I left early Thursday morning and drove three hours from Fort Wayne, Indiana, to Rosemont, Illinois. We listened to the audiobook of Jurassic Park (a long overdue read for both of us, and an appropriate one for this con) on YouTube as we went. Sadly, we were at a slight disadvantage because we had to stay in the Comfort Inn and not the Crowne Plaza (where the con was held), but there was a shuttle service to G-Fest, and we got a free breakfast every morning. Can’t go wrong there.
Our first order of business after unpacking my 2003 Subaru Legacy (which I named Tatsumaki) was the film screenings at the Pickwick Theatre. It was there we met up with my friend/fellow writer/co-panelist Danny DiManna, author/creator of the Godzilla Novelization Project, and his entourage of family and friends and went to the first of two double features at 1pm: Godzilla’s Revenge and Ghidrah, the Three-Headed Monster. We were a bit late to the first one, but our RiffTrax-style commentary entertained everyone around us. Ghidrah was fantastic on the big screen. Every time I see an older film—even those from as recent as the 1980s—I see how much better their old-fashioned special effects look because this was how they were meant to be seen. It was the dubbed version, but the print was gorgeous.
After that, Jarod and I partook of my G-Fest tradition: Thursday dinner at Giodano’s, a chain of pizzerias that serves true Chicago-style pizza. We split a small deep-dish, which I finished first because Jarod was still learning how to attack such thick pizza.
This was followed by the second double-feature: The X from Outer Space and Godzilla, Mothra, and King Ghidorah: Giant Monsters All-Out Attack. I’d never seen the former, so I was unprepared for how (unintentionally?) hilarious it was. For one thing, it had the worst dub I’ve ever heard. Me and another guy riffed it the entire time. He had one joke that made me double over in my chair. In one of the worst hull breach in space scenes I’ve ever seen, a character gets sucked butt-first into the hole and gets stuck. In defiance of physics, his comrades pull him out and patch the hole. My fellow riffer said, “‘You saved the ship!’ ‘You bet your @$$!’” GMK was, thankfully, subtitled, but the subtitles weren’t entirely accurate.
Friday started bright and early. Jarod and I rode the shuttle there and collected our badges and programs. I met with Danny, and we wandered down to the Kennedy Room to prep for our panel, Sekizawa and Kimura: A Tale of Two Screenwriters, at noon. I took Jarod to the orientation at 11am and went back down at 11:30am. People kept pouring in, especially after the orientation. I don’t know if it was because of it being one of the first panels of the con, the subject matter, or the pre-con hype leading up to it (it was mentioned by at least two podcasts beforehand), but the room was packed. Danny’s girlfriend, Tori, had to be our usher to find seats for people. I’ve never seen that room get that full in all my time at G-Fest. It was thrilling. We weren’t able to go through all of our material, and I wasn’t able to play my podcast trailer for everyone, but it was a resounding success. We want to host another one next year.
If you missed our panel or want to watch it again, here’s the video:
I spent the rest of the day attending a few more panels, including G-pardy tryouts (didn’t make it again), a paleontologist panel on Godzilla, and Kevin Derendorf presenting on kaiju fans in media. That evening we attended the opening ceremony, where the guests gave emotional, heartfelt speeches to the fans (especially Sonoe Nakajima, the daughter of Haruo Nakajima); Akira Takarada picked a kid from the audience to get an expensive Gigan toy; and the kids’ costume parade was held. I then made a brief appearance at what I expect will be the final listener party for Kaijucast, the premiere Godzilla/kaiju podcast, where I collected my prize from their #MemeoftheMonsters contest and educated one fella on the politics of Shin Godzilla.
At 10:30pm, Jarod and I returned to the Pickwick to see Godzilla: King of the Monsters with a theatre full of fans. It was my third time seeing it and his first. G-Fest crowds are famously rowdy, but I’ve never heard them like this. It was glorious! I even squeezed in a joke that got a groan. When a bunch of dead fish floated up after the detonation of the Oxygen Destroyer, I yelled, “That’s a lot of fish!” (My apologies to everyone who was present). The best part was when we all sang along with the new cover of Blue Oyster Cult’s “Godzilla” during the credits. A video of that was shared on Twitter, and both director Michael Dougherty and composer Bear McCreary teared up, it seemed.
Saturday was a whirlwind. As usual, G-Fest is remarkably busy for a con of its size. I never feel like I partake in everything. Panels tend to eat up most of my time. A few highlights: the Akira Takarada interview, where he talked about growing up in China and being wounded by Soviet soldiers as a child; the Shusuke Kaneko interview; the Dawn of the Monsters video game panel (wherein I suggested they add Indianapolis as a location); the Heisei Gamera panel; and the panel on the unmade film Nessie.
I participated in two more panels that day. The first was the Godzilla: King of the Monsters panel with the guys from the YouTube channel DangerVille, among others. Here’s the video of that:
After that was The Art of Kaiju Writing, which I’ve been on every year I’ve gone to G-Fest. (What’s crazy is I got on it in 2017 five minutes before it started—but that’s a story for another day). It was four writers doing a Q&A on the craft of writing and the publishing process. I recorded that panel, too, but it hasn’t been edited or posted yet. Stay tuned! It has a tremendous amount of info for beginning writers.
The traditional evening events followed: awards and the adult costume parade. A guy in an inflatable Godzilla costume, which are a dime a dozen usually, surprised everyone when he turned on some red lights inside the suit, making him Burning Godzilla from KOTM. Well-played, sir!
The Kaiju Crescendo concert was held that night. I wanted very much to go, but I ended up not attending because I wanted to save money (my budget has been tight this summer). I kinda regret it, honestly. But Jarod didn’t want to go and wanted to see Monster Zero at the Pickwick, and since I didn’t want to abandon him, so we went there. A good time was had by all. I heard, though, that attendance was split so much, it was somewhat low for all events that night.
I went to a few panels the next day, but I tried to hit up the places I didn’t get to the rest of the con, like the Mecha-G Arcade, artist room, and dealer hall. I also got autographs from both Akira Takarada and Shusuke Kaneko. Much to my surprise, Takarada-san gave me two signatures! I gave him the booklet to my Criterion copy of Godzilla (1954), which he signed, and then he grabbed the box and signed that, too! What a wonderful man!
The day ended with Kaiju Confessions, a hilarious sing-along to kaiju film songs.
I can’t wait for G-Fest XXVII!
It’ll Be Fantasticon!
I’ve added another signing to my itinerary, True Believers. In fact, I just bought the table a few minutes ago as I write this. For the first time, I will be attending a local convention as a vendor. In this case, it’s Fantasticon 2016 in Fort Wayne, Indiana, at the Grand Wayne Center October 29-30.
I won’t be the only noteworthy person there, though. My friend and fellow Children of the Wells creator Nick Hayden will be joining me at the same table. We’ll be selling and signing our individual books and, obviously, some CotW collections. However, my brother Jarod, who has done some great illustrations for my short stories and YouTube show, will be at the table next door selling his artwork. The icing on the cake is if Brian Scherschel and I can get our Godzilla podcast going by then, he may also join us for part of the con to promote that.
This sounds like a recipe for awesome!
According to its website,
Fantasticon is a mid-size show created for true comic book and pop culture collectors and fans. The fans that come to our shows are true collectors that are looking for those rare items for their personal collections. Most leave very satisfied as we pride ourselves on having great dealers and artists at our shows. If you collect it, you will find it at a Fantasticon Show.
Fantasticon is proud to have a presence in multiple cities throughout the mid-west. Currently we are in four different cities in Michigan and Ohio, and expect to expand into Indiana in the near future. We also, are very proud of the fact that our admission price is the lowest of any other comparable shows. And the cost for being an exhibitor or artist at the Fantasticon is far less than any comparable comic cons out there.
In other words, this is a smaller traveling convention. If you’ve never been to a con before, this would be a great one to start with. It’s smaller and more manageable. Don’t be crazy like me and start with something huge like Gen-Con (although I did attend a tiny Star Trek convention in high school in Warsaw, Indiana).
I don’t know who the special guests will be, but at its previous stops the con has featured the likes of Billy Dee Williams (aka Lando Calrissian) and Michael Dorn (aka Worf) as well as some comic artists and writers, among others. In other words, I’ll probably be in good company.
Be there or be square, because it’s gonna be…
My Mandatory Gen-Con 2015 Report (Part 1)
Oh man…where do I even begin? 🙂
I’ve been going to Gen-Con since 2012, but this ranked as one of the best—if not the best—one I’ve attended. To summarize: 1) I went with some great friends. 2) Met up with all my Gen-Con writer buddies. 3) Had possibly the best book sales ever at the con. 4) Met some awesome celebrities. 5) Did some great networking. 6) Stayed at a hotel that across the street from the convention.
All this awesomeness despite a few snafus (like forgetting my digital camera and relying on my iPhone all week for photos) and my concern that Christians and the LGBT community would clash after Gen-Con got involved in the RFRA controversy several months ago.
I’ll do my best to write a decent run-down and include some photos. Here goes nothing!
Setup Day and Day One
I must confess, True Believers, that I went to the con feeling discouraged. Last year I had lousy book sales, and I’ve been wondering if my attempts at a writing career were for naught (I’ll write about that later). I’d been praying for good sales to keep me going.
Anyway, my brother Jarod and I drove the two-and-a-half hours to Indianapolis last Wednesday. To pass the time, I had Jarod read To Kill a Mockingbird by Harper Lee out loud (my car’s CD player needs repaired). We got through three chapters by the time we arrived.
Then we hit the snafus. I went to the wrong desk to get our badges, standing in line for at least 30 minutes, and was only able to pick up one event ticket since the Gen-Con website wouldn’t let me buy them for myself (but I could for Jarod). I’d forgotten I needed to go to exhibitor HQ for our badges. This involved lugging our heavy boxes of books to the other side of the Indiana Convention Center (after we’d already lugged them in from the hotel). But once there, I discovered I somehow didn’t have a badge for myself but there was one for Jarod. I figured there was a mix-up online since I had to have an inadvertently purchased badge refunded the month before when I should’ve gotten it for free. However, the convention workers gladly made me a badge on the spot. So, we entered the hall.
Or rather, the gigantic sauna. The air conditioning was off, so it was hot and humid. Couple that with carrying heavy boxes, and I felt like I was at boot camp. Jarod is particularly sensitive to heat, so he was miserable, but he was a trooper and made it through. We set-up quickly and got out of there.
We met up with my friend and co-author Eric Anderson at the Hyatt Regency, which was cattycorner from the convention center. We settled into our room—which was on the vertigo-inducing 12th floor—and then went to Steak ‘n’ Shake for dinner. After exploring downtown Indy for a little while, we turned in.
I got up early to buy some event tickets and then went to the now air-conditioned exhibitors’ hall since it opened at 9am for V.I.G.s (Very Important Gamers). I met up with some longtime Gen-Con friends like Ed Russel and my newer con friends like Jay Erickson. My “next-door” neighbor this year was Isaac Crowe. However, two tables from me was the infamous author who I can only describe as the lovechild of an auctioneer and a used car salesman. He’s the best pitch artist in Authors Avenue, so he’s difficult to compete with. He was good at getting attention. When I saw him get two sales in the first hour when I had none, I felt discouraged again, like last year would repeat itself despite me having two new books and better signage. But as the day wore on, I got a handle on things and made a decent amount of sales. I even attended a pair of writing seminars while Jarod watched my table.
Unlike some of my compatriots, I like to attend con events in the evening. So, I participated in Nexus Gaming’s “Double Blind Fighter Challenge,” a fighting game tourney where the games were chosen randomly each round and players played rock-paper-scissors to see if they got to choose their opponent’s character. One guy was so hardcore, he wore a luchador mask when playing! (He called it his “war face”). It actually did intimidate some people. Unfortunately for me, despite getting a bye thanks to having an odd number of players, I lost in the second round because of bad luck. Of the six games in rotation—which included Street Fighter IV, Street Fighter x Tekken, and Guilty Gear Xrd—I had to play one I’d only played twice: Mortal Kombat X. Ironically, my opponent was only marginally better than me. He ended up winning the whole tournament. The 2011 Mortal Kombat, was also in rotation, and I told him things would’ve been different if we’d played that. He wanted to see if that was true, so we played a few rounds after the tourney. He barely touched me. (I was prepared to eat my words, if needed). I honestly think I could’ve won that competition.
Wanting to kill some time, I perused Gen-Con’s thick program guide for any interesting events. I saw that the team who created Sentinels of the Multiverse—one of my favorite games—were demoing Sentinels Tactics for free, so I wandered over there. I’d played the game before, but figured it’d be fun. However, when I arrived, I saw they were also demoing Villains of the Multiverse, a new expansion for the card game that wasn’t out yet. Now, there was a bit of goofiness with getting in. While the event was free, priority was given to anyone who had two-dollar generic tickets, so a British fella with blue hair asked us to move to another table though we were in the middle of getting a game set up with game master (I don’t know what his official title is, so I’ll stick with this). He insisted it wasn’t because he hated us. However, after only sitting there for a minute, we were moved back to our original table to join ticketed players. It was five or six heroes against an equal number of villains, which was different than the original game where a team of heroes fight one powerful villain.
I had a blast with Villains. I played Knyfe, and she’s a beast with damage. It came down to the wire with only two or three heroes left, but by our powers combined (1,000 nerd points to anyone who gets that reference), we managed to eke our way to victory. I even scored the final blow thanks to a fellow Nate. I added him to “The Nate Collective” (an inside joke from college; I’ll explain later).
I returned to the hotel and settled in for the night while my laptop upgraded to Windows 10.
Next Time in Part 2:
Panels, Dr. Forrester, and Mad Max!
The Obligatory Gen-Con 2014 Blog
It’s been a week since Gen-Con 2014 ended, and as usual, I miss it. Not only does Gen-Con have a great Authors’ Avenue where I can sell books and a great Writers’ Symposium where I can attend seminars, it’s one of the few places I can be an unbridled nerd and nobody judges me.
If you follow me on Facebook (and if you don’t, you should), you saw my almost up-to-the-minute updates while my brother Jarod and I were at the four-day convention. There’s a lot I could write about, but for now I’ll focus on a few highlights not mentioned in those posts. UPDATE: More photos from Gen-Con have been posted on my Facebook page!
Want to see photographs from the convention? I recommend checking out my Facebook page. Until I figure out how the new photo gallery plug-in I downloaded works, that’s where I’ll be posting photos from signings and such. Sorry.
First, here are the fans/readers I met while I was at the con, both new and old.
This was Jarod’s first time at Gen-Con, though it wasn’t his first convention. He’s gone with me to several others this year as attendees. We made prints of the illustrations he’s done for my short stories and the titles cards he’s made for my YouTube show, “But I Digress…”. Unfortunately, for whatever reason, we weren’t able to sell any of these. I was shocked. Conventions seemed like the places where people would eat up his artwork. Perhaps it was because we were in the authors’ section and not the art show area. Regardless, he did manage to get a pair of commissions: one for a steampunk pin-up girl a guy wanted for a restaurant he wants to start called Pandora’s Lunchbox (he told us about it because of the title of my novel), and another for a con-goer who wanted little pictures of Wile E. Coyote and a Digimon for a Magic: The Gathering card. Jarod also drew a few random sketches during our downtime, especially when things were slow on Thursday, including Maleficent, a ballerina Dalek (no joke), and a ninja Elsa. He gave the last one to a Jedi Elsa cosplayer, who inspired the artwork.
As for my book sales, they were slow again this year. I took fewer books with me assuming I’d sell out, but I didn’t. I got a few bits of advice from my fellow writers on how to improve that:
1) Get new signs. I’ve been using Jarod’s handmade sign for three years now. It’s time I upgraded. It’ll help me look more professional.
2) Have more books. For whatever reason, people will be more interested in buying books when they have more choices. I thought the opposite was true, but I think it would diversify my appeal and show people I’m still writing.
It didn’t help that the new books I wanted to take—Children of the Wells, Volume 1—didn’t arrive in time, so I wasn’t able to sell them until Saturday. Even so, that was a bit of tough sell since I wasn’t in that collection (but I’ll be in volume two).
However, I think my networking was much-improved this year. I talked with more of the writers there and shared my business cards with them. I think I even found a publisher interested in seeing Ninjas and Talking Trees. J Hopefully, in the coming year, that will all pay off.
As usual, while other vendors were too tired to enjoy the convention after the exhibitors’ hall closed, I was still running around with boundless energy like the Doctor. (In fact, I cosplayed as the 10th Doctor while I was there on Sunday).
I attended many writing seminars since many of the other events I wanted to attend were sold out. (I waited to sign up since I was on the waiting list for months and wasn’t sure I’d make it to the convention). Regardless, I was still able to participate in an “Ultra Street Fighter IV” tournament Friday night and see the Five Year Mission show Saturday night. I wasn’t able to play any board games, though.
Overall, I don’t think it was quite as good of an experience as last year’s convention, but I still want to return next year. That, sadly, is uncertain since the organizers didn’t allow writers and artists an early sign up at the end of the convention like they usually do. I have no idea when tables will be available. On the bright side, I could have as many as three new titles to sell at next year’s convention if all goes as planned (more on that later).
See you next year, Gen-Con!
But I Digress…, Episode 25: Our Review of ‘Guardians of the Galaxy’
“But I Digress…” Hosted by Nathan Marchand
After narrowly escaping the Comic-Corps at my local comic shop, my brother Jarod joins me to review Marvel’s latest film, “Guardians of the Galaxy.” Is this quirky space opera as awesome as “The Avengers” or as awful as “Iron Man 3”? Watch to find out!
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My brother creates artwork for ‘Wrestling’
I’m proud to announce that once again my brother Jarod Marchand has created an illustration for one of my stories. This time it was for “Wrestling,” which is about a down-on-his-luck small-time pro wrestler is assailed by a mysterious opponent after a match. Here’s Jarod’s artwork:
He takes some creative license, I admit. The wrestler’s opponent wears a hoodie in the story, while Jarod makes it look like a cloak. Other than that, it’s more or less what happens in the story. I don’t mind Jarod’s changes. It showcases his unique style and flair for drama.
You can read the story here.
New short story artwork for ‘The Hammer’
My brother Jarod has contributed yet another piece of excellent artwork for one of my short stories. This time it was for “The Hammer,” a science fiction story you can read here. The artwork portrays the hero, Matthias Maccabeus, punching out a disguised robot assassin. Check it out:
So, if you haven’t read the story yet, I hope you will now. Why would you pass up on excitement like this?