Tag Archives: escapism

The Monster Island Film Vault – Episode 4: Timothy Deal vs. ‘Son of Kong’

I know I haven’t been blogging much lately, but here’s the latest episode of my podcast to tide you over. I’ll write more about the lack of posts later.


Hello, kaiju lovers!

After Jimmy From NASA flies him back to Indiana to get his microphone, Timothy Deal of the Derailed Trains of Thought podcast returns to Monster Island to continue the “Kong Quest” with Son of Kong, the almost forgotten sequel to King Kong. If the 1933 masterpiece is a grand myth, the sequel is a pleasant bedtime story. Screenwriter Ruth Rose, when talking about writing this film, said, “If you can’t go bigger, go funnier,” which is an apt statement about this film and sequels in general. Nathan and Tim’s lively discussion connects Son of Kong to the Russian film Battleship Potemkin, Raiders of the Lost Ark, and Terminator 2: Judgment Day—and gives Jimmy a lot of work for “Jimmy’s Notes.” They also theorize about what happened to “Mrs. Kong”/Kiko’s mother, which actually puts this and the first film into perspective…sorta. The Toku Topic builds off of the previous one with a philosophical discussion of how 1930s filmmakers addressed the Depression in their movies, touching on themes like escapism and collective rage.

Here’s the Kaijuvision Radio episode on King Kong vs. Godzilla for you to listen to as part of MIFV’s Kong coverage: Episode 8: King Kong vs. Godzilla (1962) (The Japanese Economic Miracle (The Golden 60s))

Timestamps:
Intro: 0:00-3:49
Entertaining Info Dump: 3:49-9:43
Toku Talk: 9:43-56:24
Toku Topic: 56:24-1:19:44
Outro: 1:19:44-end

© 2019 Moonlighting Ninjas Media

Bibliography/Further Reading
“Culture and Politics in the Great Depression” by Alan Brinkley

“Escapism” (Wikipedia)

“Escapism and Leisure Time 1929-1941” (Enclopedia.com)

“How the Great Depression inspired Hollywood’s golden age” by Paul Whitington

Kaijuvision Radio, Episode 2: Godzilla Origins – King Kong (1933) and The Beast from 20,000 Fathoms (1953)

King Kong: History of a Movie Icon from Fay Wray to Peter Jackson by Ray Morton

Kong Unbound: The Cultural Impact, Pop Mythos, and Scientific Plausibility of a Cinematic Legend (edited by Karen Haber)

Kong Unmade: The Lost Films of Skull Island by John LeMay

Son of Kong Wiki Articles
Gojipedia
Wikizilla
Wikipedia

Son Of Kong (1933) Review – Kong-A-Thon Episode 2 (DMan1954)

Tracking King Kong: A Hollywood Icon in World Culture (2nd edition) by Cynthia Erb

The Uses of Enchantment: The Meaning and Importance of Fairy Tales by Bruno Bettelheim (pg. 45-60)

“Why Fantasy Matters Too Much” by Jack Zipes



Wish Fulfillment in Stories

Image courtesy of www.luckymoney.net.

While working on my new podcast, Kaijuvision Radio, I re-learned that one of the appeals of fiction—particularly genre fiction—is wish fulfillment. Not just for readers/viewers but for creators as well.

You might be thinking this is a bad thing; a sign of someone living in a fantasy world. While I acknowledge that’s true in some cases, I’d also argue that it speaks to a deeper, nobler desire within people’s hearts.

In the podcast, my co-host, Brian Scherschell, and I were talking about the alien invasion plot in 1966’s Invasion of Astro-Monster (aka Godzilla vs. Monster Zero). The heroes, most of them non-military types, band together to repel invaders from Planet X. The audience is able to see themselves in those characters and live vicariously through them for 90 minutes because they understand what it means to protect what is theirs. For those living in countries that have been successfully invaded, it’s satisfying for them to defeat invaders. Americans, on the other hand, have a huge independent streak in them, and they will do what it takes to preserve their freedom.

Wish fulfillment can also come in the form of seeing characters do things one wishes he could do but can’t, which makes it a form of escapism. These could range from things that are impossible (flying like Superman, for example) to things that are possible but unlikely (like captaining a ship). In these cases, the stories could become inspirational. One can’t soar under his own power like Supes, but one could become a pilot. One may not be a ship captain, but he could become one, even if it’s only on his own private yacht.

I realized recently that even romance stories have elements of wish fulfillment. The audience wishes they could have relationships as exciting, sensual, and committed as the ones in those tales because it seems impossible to find true love in real life.

It’s in these cases that wish fulfillment speaks to someone’s inner character and desires. Maybe they can’t “leap tall buildings in a single bound” but they can still be heroic, even if it’s in a small way. They know something isn’t right in the world and want to make it better. They could volunteer at a soup kitchen or go on a missions trip. They can love the way they want to be loved. They can make their wishes a reality, and by doing so, inspire others.

I’ve heard countless stories of people who became engineers, doctors, and writers because of Star Trek. They saw characters like Scotty doing cool things in the Enterprise’s engine room and decided on their career field. Now, while they aren’t exploring the galaxy, they’re creating fantastic new technologies. That’s the inspirational power wish fulfillment can have.

It can also be a mirror into oneself. If one finds himself reveling in Superman’s abundant superpowers because he wants to have power over others, it should give him pause for concern. I’ve known people with power fantasies like that. It always makes them weaker because they don’t aspire to do greater things. I pity them.

What do you think, readers? Is wish fulfillment in fiction good or bad? Why? What are some examples from your favorite stories?