Tag Archives: audiodrama

Gamera and “Tolkien Moments”

“Gamera Saves Christmas” cover art by Jarod Marchand.

Happy 2026, friends, fans, foes, and everything in between!

It’s been a while since I updated my website, so I figured I should. Starting this year, I’ll be focusing the site on blogs pertaining to my writing, whether that be updates, reflections, or promotions, etc. Other pieces will be saved for the Substack I’m seriously considering launching as one of my New Year’s resolutions. My working title is “The Words of Nathan Marchand, the Mad Millennial.” Stay tuned for more!

Recently, I finally published an overdue Christmas special for my kaiju podcast The Monster Island Film Vault. It’s a fanfic audiodrama entitled “Gamera Saves Christmas.” Yes, a Christmas special about the (usually) corny giant rocket-powered turtle who loves kids. It was a crazy idea my friend Joy Metter gave me, and after several months of co-writing and, at points, even co-directing, we finally got it done. We took it far more seriously than we had any right to do, but that’s how I roll.

The story’s protagonist, an angry teenage girl named Susan, has a crisis of faith when she’s whisked away to the North Pole, where she meets Santa Claus, Mrs. Claus, Krampus, and a kaiju reindeer (you read that right!), among other things, and learns that Gamera is, in fact, still alive despite a suicide attack on an alien spaceship in 1980. Belief and faith might seem like obvious themes for a Christmas story, and honestly, I thought that, too, for most of the production. But while I was scrambling to edit the hour-long drama, I experienced what I can only call “Tolkien moments” several times.

While hearing my sister, Sarah, perform as Susan after I added music to the scenes, I got weirdly emotional. The most intense one came toward the end where (SPOILER WARNING!) she takes Santa’s magic Wreath to Gamera to revive him. Susan gives a speech about her struggles and why she’s now angry that when she needs Gamera most, that’s when he “go[es] and dies” (he was defeated by the aforementioned reindeer kaiju). In desperation, she throws the Wreath at him, and to her surprise, he rises to fight his foe again. It was, as Tolkien famously said in “On Fairy-Stories,” a eucatastrophe. It was the sudden turn where the hero improbably survives. Some would call it the “stand and cheer moment.” But it was also the moment where Susan’s faith is also revived. The “resurrection” of Gamera was merely an outgrowth of that. From there, we had the exciting finale where Gamera battles the reindeer, winning this time, which is made even more potent thanks to this.

Later, I experienced two more “Tolkien moments” in quieter scenes with Susan. One was when she spoke with Santa, who told her to hold onto her what she experienced, even when the concerns of adulthood overwhelmed her. It gave me flashbacks to Aslan speaking with the Pevensie children in several of the Narnia books. Then in the next scene, Susan makes the audiodrama’s thematic statement with its final line after being reunited with her disbelieving parents: “Some things…you just have to take on faith.” Gamera’s roar is heard in the distance as confirmation. Then a kinda corny rock song called “Gamera Always Wins” starts playing. These moments didn’t push me to the edge of tears, but I did feel them in my gut.

I’ve heard some say that J.R.R. Tolkien (and also his friend and fellow Inkling, C.S. Lewis) didn’t create stories so much as he “found” them. In other words, he presented the world as it is and how it operates. To put it even more simply, he showed the truth. Beneath this seeming simplicity are the deeper things of life. What appears obvious suddenly overflows with depth and richness. Tolkien called this “sub-creation,” the act of using the “primary world,” which according to his Catholic faith was God’s creation, to fashion another world. Art has a way of reframing things in unexpected ways that helps us see the obvious in new ways. Suddenly, Susan’s struggle with believing crazy things like Santa Claus and a living Gamera brought to mind those times when I grappled with doubts about my own faith. Contrary to popular belief, it’s rarely easy to hold true to one’s beliefs. But the mere words on the page didn’t affect me. I needed to hear my sister’s performance combined with music to get the full impact. Perhaps I should add “Gamera Saves Christmas” to my short list of kaiju stories that nearly made me cry.

Or maybe I was too invested in the kaiju fanfic audiodrama I was creating to be taken seriously. Ha!

Regardless, you can hear “Gamera Saves Christmas” on MIFV”s website, YouTube channel (see below), or wherever you get your podcasts.

MY FIRST FULL-LENGTH AUDIODRAMA – “Origins: Rito Bandora”

Rito Revolto from Mighty Morphin’ Power Rangers.

In case you didn’t know, I’ve been part of Scyther Podcasts’ stable of actors for a few years now. This is a group run by Karl Dutton that makes fan-produced audiodramas, most notably for X-Men and Power Rangers. While I’ve played (of all people) Deadpool on X-Men: The Audiodrama and as Johnny Storm (The Human Torch) on its spin-off Avengers: The Audiodrama (which is run by Mitch McFarland), my first claim to fame at Scyther was playing the darkly funny supervillain Rito Bandora (aka Rito Revolto in his original incranation) on Power Rangers: The Audiodrama (see image to the right). Unbeknownst to me, Scyther’s Rito became a fan-favorite.

Because of this and some…spoiler-ific events in PRAD, I pitched an idea to Karl to write and produce a bonus episode that expands on the background for Rito that’s briefly discussed in a few episodes of the main show. He approved the outline, and after a few months of drafting the script, I went into production for my first full-lnegth audiodrama. I say, “full-length,” because I’ve produced shorter drama segments on my flagship podcast, The Monster Island Film Vault, but the longest any of those got was about 20 minutes. This special clocks in at 55 minutes. I Mel Gibson’d the snot out of this; writing, directing, editing, producing, and starring in it. I even commissioned my friend Rebecca Hudgens to do the cover art and purchased the rights to a metal song to use as the episode’s theme song. I’ve joked that the episode should be retitled, “Nate’s Vanity Project.”

So, sit back and enjoy this dark science fantasy comedy!

You can also listen to it on Apple Podcasts, Spotify, and wherever you get your podcasts.

Be sure to watch me be interviewed about the background of this special on The Power Chamber Podcast.

PROJECT UPDATES: Livestreams, Books, and Audio Dramas, Oh My!

A writer’s work is never done.

At least for me, it isn’t. I have two irons on every burner on the stove. But I like it that way. What am I working on? Let me tell you.

“But I Digress…” Returns (Again)

I recently did a livestream with fellow author and content creator Ryan “The Omni Viewer” Collins, and it got a surprising amount of traction. I even garnered a few more subscribers. I heard from someone last year who wanted “the show “But I Digress…” to come back with more topics. So, I’m going to give that a try because I have to take my writing career as seriously as I do my podcasts (more on those later). My goal is to have a monthly livstream on the channel that discusses a topic and gives updates on projects, among other things. The first one will be titled, “The Importance of Escapism.”

A Regular Contributor to Kaiju United

I’ve been sending articles to the website Kaiju United, and now I’ll be a regular contributor to them. It’s likely I’ll be published there at least once a month.

A New Podcast

My kaiju podcast, The Monster Island Film Vault, will continue, but my other podcasts, Henshin Men and The Power Trip, will fuse into a new podcast later this summer. It will pick up where the other shows left off. Stay tuned for more details.

My First Audiodrama – “Origins: Rito Bandora”

I’ve been part of Karl Dutton’s stable of actors for Scyther Podcasts. While I’ve played Deadpool and soon the Human Torch in his fan-made Marvel productions, I’ve most popularly played Rito on Power Rangers: The Audio Drama. While (SPOILER WARNING!) the character was killed off recently, I’m producing a one-shot episode that chronicles his darkly funny origin. The script is finished and production has started. I hope to release it this summer.

Books, Books, Books

A few months back, I made a ten-year timetable for my writing projects, which included finishing the book series I’ve been working on for far too long. My current one is a standalone urban fantasy romance called There Sleeps Titania. I hope to market that to potential literary agents. Then I want to complete sequels and tie-ins to Pandora’s Box and Ninjas and Talking Trees. Then once I’ve tied up those loose ends, I want to launch the space opera I’ve had in my head for years.

EDIT: I’m editing another collection of unpublished short stories that is tentatively titled The Worlds of Nathan Marchand, Vol. 2: Tales of the Lost and Lonely. More details are forthcoming. In the meantime, check out my finally updated “Books” page.

As you can see, I have more ideas than time. Haha!