I sit down with the multitalented Alyssa Charpentier, who wears enough proverbial hats to fill a warehouse. She’s a writer, a musician, a Navy sailor, a former Godzilla YouTuber, and hardcore nerd girl, among other things. We discuss her past and current creative projects, her best advice for aspiring writers, and more, including her serialized Godzilla fanfiction, Strange Flesh, which is exclusive to her Patreon page.
We’d like to give a shout-out to our MIFV MAX patrons Danny DiManna (author/creator of the Godzilla Novelization Project); Damon Noyes, The Cel Cast, TofuFury, Eric Anderson of Nerd Chapel, Redeemed Otaku Podcast, Wynja the Ninja, Christopher Riner, The Indiscrite One, Eli Harris, Jake Hambrick, Matt Walsh (but not that Matt Walsh), Jonathan Courtright, Leon Campbell, Michael Watson, and Sam Allred! Thanks for your support!
I’m back with another superhero movie trailer reaction! This time it’s for a Marvel production: namely, Fantastic 4: First Steps. I have opinions because I’m the voice of Johnny Storm for Scyther Podcasts . What’d I think of it? Watch and find out! (FYI: Streamyard cut the sound from the trailer. That was on me).
Nathan relaunches “But I Digress…” (again) as a monthly livestream! For episode 50, he’s joined by fellow author/actor/content creator Ryan “The Omni Viewer” Collins to discuss whether or not critics can create good art. They know how the proverbial sausage is made, but can they actually cook, so to speak? Join Nathan and Ryan to see if they can answer that question.
The much-hyped teaser trailer for James Gunn’s Superman (2025) has dropped. So, I made an impromptu reaction video for it. You all know I love Superman, but I’ve felt ambivalent toward most Superman media from the last decade, including the early teaser images for this film. But after watching the trailer…well, let’s just say I’m excited that I may have an excuse to discuss it on my flagship podcast, The Monster Island Film Vault.
Find my websites and socials on my Linktree: https://linktr.ee/nathan_marchand
October was frustrating for me. My car broke down and wasn’t properly repaired, so I ended up stuck at my apartment and spending a fortune on Uber rides to my day job. Aside from tabling at Fantasticon Fort Wayne and attending a costume party at The Fort Wayne Ballroom Company, I didn’t get to do most of what I normally do for Halloween. However, I was able to watch my fair share of horror films, spanning multiple decades and several countries. I saw several for the first time this year, so here are some quick reviews of them.
Versus: I’ve been aware of Ryuhei Kitamura’s independent 2000 action-horror movie for a while, but I only just this year saw it. While I’ve unabashedly liked his work with Godzilla: Final Wars, I assumed this was just another edgelord-y, ultraviolent zombie shoot-‘em-up—and it is. But it’s highly entertaining and well-executed. It knows it’s basically a live-action anime and embraces it. What surprised me were the character moments and lore. This movie is equal parts Matrix, samurai, and Highlander, among other things. The heroes and villains are clearly defined. The zombies were unlike any seen at the time (i.e. gun-toting). It isn’t for the faint of heart, but if you can stomach the original RoboCop, you’ll have a great time with this.
The Phantom of the Opera (1943): This was the last of an eight-film blu-ray set of classic Universal Monster films I hadn’t watched. I admit I haven’t seen the 1925 silent version, but I have seen the version of the musical, and I own a copy of the original novel. All that to say, I was a bit underwhelmed by this film starring Claude Raines as the titular Phantom. It focuses more on the drama than the horror and makes the Phantom much less mysterious. The sets are lush, the set pieces often grand, and the script is solid, but I have a feeling I’ll prefer the 1925 version.
Parasyte, Parts 1-2: While this is often called a duology, I view it as a two-part film. It could be described as a Japanese take on John Carpenter’s The Thing, but as much as I love that film, that description is reductionist for Parasyte. This adaptation of Hitoshi Iwaaki’s sci-fi/horror manga from director Takashi Yamazaki is one of the most unique, riveting, and philosophical horror films I’ve seen in a long time. It has more twists and turns than a mountainside highway and one of the strongest narratives I’ve seen in a genre film. Part 1 is a bit better than Part 2, but it’s still great. I’m curious to read the manga and see the anime, Parasyte: -The Maxim-, at some point.
Carnival of Souls: For some reason, I thought this was a 1930s film (it was released in 1962) and featured on Mystery Science Theater 3000. (Mike Nelson did a comedic commentary for a DVD release). While it was regarded as a B-movie, Criterion released it a couple times, and it was their DVD edition I saw. This is no B-movie but an artsy psychological horror film. Mind you, I called the ending inside of the first 10 minutes (it was inspired by a French short film adaptation of “An Occurrence at Owl Creek Bridge,” which was used as an episode of the original Twilight Zone), but that didn’t detract from the journey. Heck, it still leaves me with a few unanswered questions. I highly recommend it!
The Fly (1958): I was shocked at how macabre this was, especially for a 1950s studio film. While some may find the story absurd and the special effects quaint at best, I was riveted. The reveal of the fly-headed man still shocked me and the high-pitched cries of the white-headed fly as a spider encroaches on it were unnerving. I plan to read the short story that inspired it, but from what I read, they’re similar other than a change of setting and a “happier” ending. (Depends on how you define “happier”). Plus, it’s the movie that made Vincent Price famous despite him being a supporting actor. It’s a classic for several reasons!
The Fly (1986): I’d watched part of this remake before, so I decided to finish it after seeing the original. To call it a “loose remake” might be an understatement. It has the same premise, but the style, sensibilities, and story are quite different. The original was shocking for its time, but this is unbridled body horror. (It was directed by David Cronenberg, after all). Dr. Brundle, while still a tragic figure like his 1958 counterpart, ends up being more unlikable as he slowly transforms into an inhuman insect hybrid. The practical special effects are gross but have aged well. I even got some classic Universal Monsters vibes from “Brundlefly” toward the end. (An ending that was quite abrupt, I might add). Throw in Jeff Goldblum playing a nerd (what he does best) and a solid performance from Geena Davis, and you’ll have a good time if you can handle the several sex scenes and frequent grotesquery.
Shin Kamen Rider: Prologue: Yes, this early ‘90s Japanese “v-cinema” superhero movie is also horror. I’ve often heard it compared to Cronenberg’s Fly, which is why I watched that and the 1958 original in preparation for this. While I’m not as familiar with the Japanese superhero Kamen Rider as my Henshin Men co-host, I had enough frame of reference to evaluate it as a part of that franchise. Honestly, it’s just okay. It’s dark and gross and kinda boring. The Fly comparisons are apt, because it often copies that movie’s plot points, albeit weirdly. The best parts might be the horrific transformation scenes and the creature designs by Keita Amemiya. There are better Kamen Rider movies out there, so I’d only recommend this to the most hardcore Rider/tokusatsu fans.
Ringu: I saw the American remake of this J-horror classic years ago, and I remember it being good. I’ve been meaning to watch the Japanese original for a long time and finally pulled the trigger. The premise is fascinating but dated in the best possible way: anyone who watches a disturbingly bizarre VHS tape and answers a phone call dies a week later. The horror is more psychological than visceral and presents its premise like an urban legend. However, the film is less about amassing a body count and far more about unraveling the mystery of the tape, which taps into Japanese ghost stories. Sadako (or Samara in the American version) became a J-horror icon, and it’s no surprise why. If you enjoyed the Hollywood version or like J-horror or psychological horror, you need to watch this!
Kamen Rider: The Next*: I have an asterisk by this one because it’s a secret J-horror movie complete with a knockoff Sadako from Ringu. If you want to hear more about it, check the latest episode of my podcast, Henshin Men.
Happy belated Halloween!
What scary movies and/or stories did you experience during October? Leave your reviews in the comments below!
In case anyone didn’t see it, here’s an addendum I made to my previous blog:
EDIT: This blog has been edited since it was first posted. After some discussions on social media and a little more research, I realized it had some inaccuracies. The blog was also meant to be a bit tongue-in-cheek, and once again I’ve learned that doesn’t always communicate on the internet. The biggest deletion pertained to the hysteria being manufactured to hurt the Trump Administration going into the election. I had no idea this was something started by President Trump on Twitter. It was a conclusion I came to on my own. I am a self-proclaimed “Trump agnostic,” meaning I’m not part of either the Never Trumpers or the president’s cult of personality, which is why I tick everyone off. (I do think someone needs to take Twitter away from him, though). However, I do stand by my assertion that the media is stoking the hysteria because, as Tim Constantine wrote for The Washington Times, “fear sells.” Since this is new (“novel,” which means “new,” is part of the disease’s name, after all) and relatively unknown, people fear it even though there are diseases out there that are far more common and far more likely to kill someone. Humans fear the unknown. However, I also know human nature well enough to know that there will be those who will try to take advantage of the situation for their own benefit, and that’s especially true for those in power. That’s the big reason why I think the hysteria needs to stop, which is the point I wanted to make with this blog. We need to be safe and watch out for those who are the most vulnerable among us (my younger brother has a form of asthma, so I know), but turning the world upside down like the Black Plague has suddenly returned is an overreaction. My apologies for not making that clear in the first published draft of this blog. (EDIT ENDS)
So, on the last day of
2018, I’ve decided to look ahead to 2019 with a few important goals. I took
some much-needed big steps forward in 2018, and I want to keep that momentum
going. My creative goals include:
-Getting
one or two new books in print (the publishing industry could only be slower if
it was run by sloths).
-Write
a stand-alone novel…
-,,,to
get a literary agent (apologies to my readers who want those promised sequels
soon).
-Finish
my second and third semesters of grad school.
“Digression 18: Farewell, Stan Lee” Hosted by Nathan Marchand
It’s been over a month since comic book legend Stanley Lieber (aka Stan Lee) died. I recorded this video the week of his death, but I was unable to edit and post it until now. It’s appropriate since today would’ve been his 96th birthday. I share my memories of his many stories and characters, my experience of meeting him, and why he inspires me as a writer.
What are your memories of Stan? Leave them in the comments below.
Submission want-ad for “Bards Against Hunger: Indiana Edition.” (Image courtesy of www.indianaauthors.wordpress.com).
I’m happy to announce that I will have three poems published in the upcoming anthology, Bards Against Hunger: Indiana Edition. Two of the three poems, “Glimpse” and “Coma,” were originally posted on this site. (However, I am going to remove them in light of their upcoming publication in this anthology). The third poem, “Phoenix Rose,” originally appeared in my first novel, Pandora’s Box. This anthology will be published in the fall with a book launch event at Elwood Public Library in November.
I’m actually a bit surprised they were accepted. Not because they were bad. No, because I submitted at the last possible second. We’re talking within minutes of the deadline. Not a habit I want to make. 😛
Accord to their website,
Bards Against Hunger was founded in 2013 by the Bards Initiative, a poetry group on Long Island, NY that hosts many readings and publishes local anthologies. The leaders of this group came up with the idea to host a poetry reading that would gather food for the hungry around Thanksgiving time as a way for poets to give back to their local community. The poets of Long Island loved the idea and flocked to help organize, read at the event, and gather food.
They’ve also published a few poetry anthologies (click here and here), with the profits being used to collect food. As the want-ad says, the proceeds from this Indiana anthology are going toward Homeless Advocacy of Anderson and Madison County. It’s a wonderful idea.
I’ll be attending a local university to pursue an M.A. in English with a writing concentration. I hope to use this degree to bolster my career.
This is something I’ve thought about doing for a long time. When I graduated college, I believed I could take on the world. My peers advanced in their careers relatively easily, it seemed. I was nervous, for sure, but I was confident I would make quick headway.
Then reality set in.
A few ill-fitting jobs and one bad economy later, and I found myself a struggling artist at a day job I didn’t much care for. It was like that for a long time. Yes, I did keep writing. I wrote many things. It’s my passion, and unlike what Mike Rowe says, I’m good at it. I’m a dreamer by nature. It’s who I am. If writers took his advice, they’d quit submitting stories after two or three rejections. Trust me, I know, because I’ve been in that boat (and it felt like the Titanic).
Someone suggested a few years ago I go to grad school. I wasn’t sure I could do it. I’d grown to hate debt, so I refused to take out more student loans. But after a little investigating, I learned I could become a teaching assistant to pay for it, so that became my goal. I took a class over a summer to make it happen. Unfortunately, there was either a lot of competition for a TA position or no openings. So, I waited.
Now the time seems to be right. If all goes as planned, I start in the fall. I plan to move to avoid driving up to two hours both ways to the university.
This is just one of several major changes I’m making. Honestly, it’s overwhelming. I haven’t liked my current situation, but I got used to it. “Better the devil you know,” as the old saying goes. It was my “normal,” even if I hated it. Now I’m making a paradigm shift so huge, it feels more like a paradigm earthquake.
I’ve realized, however, that (besides God and the fact that everything freezes) the only constant in the universe is change. We may fight against it, but it will come. Personally, I’d rather make the changes myself. Even that is risky, though. The outcome is rarely certain. I’m reminded of a Bible passage in James 4:13-15: “Now listen, you who say, ‘Today or tomorrow we will go to this or that city, spend a year there, carry on business and make money.’ Why, you do not even know what will happen tomorrow. What is your life? You are a mist that appears for a little while and then vanishes. Instead, you ought to say, ‘If it is the Lord’s will, we will live and do this or that.’” Even if you aren’t a Christian, I think you can see the wisdom in this. It’s never good to assume an outcome because it’s uncertain. “The best laid schemes o’ mice an’ men,” wrote Robert Burns, “Gang aft a-gley.”
