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My Mandatory Gen-Con 2015 Report (Part 1)

Oh man…where do I even begin? 🙂

I’ve been going to Gen-Con since 2012, but this ranked as one of the best—if not the best—one I’ve attended. To summarize: 1) I went with some great friends. 2) Met up with all my Gen-Con writer buddies. 3) Had possibly the best book sales ever at the con. 4) Met some awesome celebrities. 5) Did some great networking. 6) Stayed at a hotel that across the street from the convention.

All this awesomeness despite a few snafus (like forgetting my digital camera and relying on my iPhone all week for photos) and my concern that Christians and the LGBT community would clash after Gen-Con got involved in the RFRA controversy several months ago.

I’ll do my best to write a decent run-down and include some photos. Here goes nothing!

Setup Day and Day One
I must confess, True Believers, that I went to the con feeling discouraged. Last year I had lousy book sales, and I’ve been wondering if my attempts at a writing career were for naught (I’ll write about that later). I’d been praying for good sales to keep me going.

Jarod and I moments before leaving. I was doing my best to put on a good face (especially since I was taking a rare selfie, and I hate selfies).
Jarod and I moments before leaving. I was doing my best to put on a good face (especially since I was taking a rare selfie, and I hate selfies).

Anyway, my brother Jarod and I drove the two-and-a-half hours to Indianapolis last Wednesday. To pass the time, I had Jarod read To Kill a Mockingbird by Harper Lee out loud (my car’s CD player needs repaired). We got through three chapters by the time we arrived.

The lobby of the Hyatt.
The lobby of the Hyatt.

Then we hit the snafus. I went to the wrong desk to get our badges, standing in line for at least 30 minutes, and was only able to pick up one event ticket since the Gen-Con website wouldn’t let me buy them for myself (but I could for Jarod). I’d forgotten I needed to go to exhibitor HQ for our badges. This involved lugging our heavy boxes of books to the other side of the Indiana Convention Center (after we’d already lugged them in from the hotel). But once there, I discovered I somehow didn’t have a badge for myself but there was one for Jarod. I figured there was a mix-up online since I had to have an inadvertently purchased badge refunded the month before when I should’ve gotten it for free. However, the convention workers gladly made me a badge on the spot. So, we entered the hall.

Or rather, the gigantic sauna. The air conditioning was off, so it was hot and humid. Couple that with carrying heavy boxes, and I felt like I was at boot camp. Jarod is particularly sensitive to heat, so he was miserable, but he was a trooper and made it through. We set-up quickly and got out of there.

The three of us at Steak 'n' Shake.
The three of us at Steak ‘n’ Shake.

We met up with my friend and co-author Eric Anderson at the Hyatt Regency, which was cattycorner from the convention center. We settled into our room—which was on the vertigo-inducing 12th floor—and then went to Steak ‘n’ Shake for dinner. After exploring downtown Indy for a little while, we turned in.

My table this year.
My table this year.

I got up early to buy some event tickets and then went to the now air-conditioned exhibitors’ hall since it opened at 9am for V.I.G.s (Very Important Gamers). I met up with some longtime Gen-Con friends like Ed Russel and my newer con friends like Jay Erickson. My “next-door” neighbor this year was Isaac Crowe. However, two tables from me was the infamous author who I can only describe as the lovechild of an auctioneer and a used car salesman. He’s the best pitch artist in Authors Avenue, so he’s difficult to compete with. He was good at getting attention. When I saw him get two sales in the first hour when I had none, I felt discouraged again, like last year would repeat itself despite me having two new books and better signage. But as the day wore on, I got a handle on things and made a decent amount of sales. I even attended a pair of writing seminars while Jarod watched my table.

This dude was *intense*!
This dude was *intense*!

Unlike some of my compatriots, I like to attend con events in the evening. So, I participated in Nexus Gaming’s “Double Blind Fighter Challenge,” a fighting game tourney where the games were chosen randomly each round and players played rock-paper-scissors to see if they got to choose their opponent’s character. One guy was so hardcore, he wore a luchador mask when playing! (He called it his “war face”). It actually did intimidate some people. Unfortunately for me, despite getting a bye thanks to having an odd number of players, I lost in the second round because of bad luck. Of the six games in rotation—which included Street Fighter IV, Street Fighter x Tekken, and Guilty Gear Xrd—I had to play one I’d only played twice: Mortal Kombat X. Ironically, my opponent was only marginally better than me. He ended up winning the whole tournament. The 2011 Mortal Kombat, was also in rotation, and I told him things would’ve been different if we’d played that. He wanted to see if that was true, so we played a few rounds after the tourney. He barely touched me. (I was prepared to eat my words, if needed). I honestly think I could’ve won that competition.

The lot of us playing Villains of the Multiverse.
The lot of us playing Villains of the Multiverse.

Wanting to kill some time, I perused Gen-Con’s thick program guide for any interesting events. I saw that the team who created Sentinels of the Multiverse—one of my favorite games—were demoing Sentinels Tactics for free, so I wandered over there. I’d played the game before, but figured it’d be fun. However, when I arrived, I saw they were also demoing Villains of the Multiverse, a new expansion for the card game that wasn’t out yet. Now, there was a bit of goofiness with getting in. While the event was free, priority was given to anyone who had two-dollar generic tickets, so a British fella with blue hair asked us to move to another table though we were in the middle of getting a game set up with game master (I don’t know what his official title is, so I’ll stick with this). He insisted it wasn’t because he hated us. However, after only sitting there for a minute, we were moved back to our original table to join ticketed players. It was five or six heroes against an equal number of villains, which was different than the original game where a team of heroes fight one powerful villain.

I had a blast with Villains. I played Knyfe, and she’s a beast with damage. It came down to the wire with only two or three heroes left, but by our powers combined (1,000 nerd points to anyone who gets that reference), we managed to eke our way to victory. I even scored the final blow thanks to a fellow Nate. I added him to “The Nate Collective” (an inside joke from college; I’ll explain later).

I returned to the hotel and settled in for the night while my laptop upgraded to Windows 10.

Next Time in Part 2:
Panels, Dr. Forrester, and Mad Max!

I Can Do Everything! (or, “Man, I Need to Hire a Secretary!”)

Being an indie author sometimes makes me wish I was Shiva. 😛

As I’ve stated before, I’ve been negligent on blogging for the last month. It wasn’t just this blog that suffered, though. Most, if not all, of my other projects were put on hiatus so I could finish editing my two latest books, 42: Discovering Faith Through Fandom and Ninjas and Talking Trees, in time for Gen-Con 2015 next week. But it was only one of the many things I had to do.

One of the perils of being a self-published author (as I think I mentioned in an early episode of “But I Digress…”) is you have to do everything, or at least almost everything, yourself. Your work doesn’t stop with writing the book and making recommended changes. You have to become an entire publishing house. You write, you edit, you hire cover artists (assuming you don’t create the cover yourself), you do layout, you promote the book, etc., etc. Unless you’re an excellent project manager, this can be tiring, especially when you also work a day job and have a social life. In the last month, I’ve found myself thinking many times, I just want to write! I understand now why some authors forego self-publishing, despite its advantages, in favor of traditional publishing: they have much less to worry about. Their attention isn’t nearly as divided, so they can focus more on their craft.

Strange (or selfish) as it may sound, one of the reasons I want to get married is because I’d like to have a wife who could help me with some of this. Yes, I admit it: I’d like her to be my secretary. Here’s the thing: she wouldn’t be my subservient, but my partner. We’d work on things together as equals.

Regardless, I already practice this to some extent. I hired friends/professional editors to look over these books so it wasn’t just me. Fresh eyes can see things I don’t. The artist who created the cover for 42, Ruth Pike, also did the back cover and some promotional materials. My friend Nick Hayden then did the layout. Anthony Gangemi drew the artwork for Ninjas and Talking Trees, which required a bit of faith on my part because it was the most expensive cover I’ve commissioned. I was thinking back on a self-publishing seminar where the instructor insisted authors should invest money in our careers. But I had to add the text and do the layout myself because Nick was unavailable. Then I had to wait for CreateSpace to process everything. (Thankfully, their shipping department is awesome, and my orders arrived four or five days early).

Let this be a warning to you: if you want to be an indie author, expect to put in extra work.

It’s worth it, though. 😉

P.S. Please leave reviews for my books on Amazon and Goodreads!

Another NEW BOOK: ‘Ninjas and Talking Trees’

I’m on a roll! (That was the correct “roll,” right?)

Actually, I just wanted to get another new book ready for Gen-Con 2015. Plus, this one has been sitting in my computer for a long time and needed to get into print.

So, without further ado, I present Ninjas and Talking Trees, which is book one of The (Mis)Adventures of George Francis.

Cover art by Anthony Gangemi.
Cover art by Anthony Gangemi.

George Francis is a normal accountant in Fort Wayne, Indiana, who has it all: a disciplined routine, a great job, and a hot girlfriend named Destiny. Well, there are his uber-nerd college buddies, but they’re mostly harmless…until they met his Destiny. She dumps George immediately. They invite a heartbroken George to join them at a renaissance faire to make it up to him. But after entering a port-a-potty to soothe his aching stomach, George is transported to the world of Loconia and chased by ninjas.

Soon George meets Sensei, a Talking Tree who was once a samurai. He insists George is the “Hero of Legend,” and it’s his new destiny to liberate Loconia from the eccentric tyrant Marcus the Morally-Dubious in order to return home. George must survive Sensei’s grueling training (which includes dueling a samurai banzai tree) and then rescue Princess Pansy/Roze, who’s been cursed with a split personality—one good, one evil—that switches whenever someone snaps his fingers. To complicate matters, the good one is in love with George and the evil one plans to marry Marcus.

But George isn’t alone. He recruits Loconia’s bravest and finest to battle Marcus’ Legions of Terror: an unknowingly hapless pretty boy; an inarticulate Barbarian carrying a well-spoken ax; and a redneck wizard whose spells work better when he’s drunk.

Oh snap!

Will George’s sanity survive? Will he become the Hero of Legend? Will you stop reading this back cover and open the book to find out? (Just don’t skip to the end, you cheater!)

This book has an origin that’s just as humorous. During my last semester at Taylor University Fort Wayne, I took a class on C.S. Lewis and George McDonald that was taught by Dr. Pam Jordan-Long. One of the books we read was Phantastes by McDonald. A classmate told me before class that he thought it was a bit slow in middle and joked that it would’ve been better if ninjas were in it. But he didn’t stop there—he said that in class, too! Since Phantastes featured talking trees, we concluded as a class that all good stories must include ninjas and talking trees. It quickly became a prominent inside joke in the class for the rest of the semester. Even the normally serious Dr. Jordan-Long enjoyed it so much she put it on the final exam.

I decided then that since I couldn’t find any stories that featured both, I would write one myself. Since I’d just written Pandora’s Box, I decided I would do something completely different to avoid being pigeonholed as a writer, so I decided to write a fantasy/comedy. As the years went on, I collected many ideas for the book. Too many, in fact, for one book, which is why I’ve decided to make I a series. Essentially, it’s become a repository for my eccentric, absurdist sense of humor. You’ll see shades of Monty Python, Hitchhiker’s Guide to the Galaxy, and The Princess Bride, among other things, in it.

There’s more I could say about the book, but I’ll save that for another blog. This one’s long enough as it is.

Get your paperback copy of Ninjas and Talking Trees today on Amazon for $14.99! (EBook coming soon!)

NEW BOOK: ’42: Discovering Faith Through Fandom’

Remember when I said I’d write two blogs in one week to make up for not writing? Yeah, that didn’t happen. In the words of the 10th Doctor, “I’m sorry. I’m so, so sorry.”

But I have a good reason for my unintended hiatus: I’ve been working on two new books! The first of which is now available on Amazon!

Presenting…

Artwork by Ruth Pike.
Artwork by Ruth Pike.

This little book is a devotional for geeks and nerds. It uses the stories, hobbies, and other interests nerds and geeks love to illustrate theological Truth.

Here’s the back cover copy:

Don’t Panic!

Despite what many churchgoers say, God doesn’t think Dungeons & Dragons is “Satan’s game” or that cosplay is childish. In fact, God has imprinted Himself into nerd culture. Yes, all your favorite stories and games point to the LORD Himself. You may doubt, but you know your nerdy hobbies are more than just escapism. They resound with you for a reason. Perhaps you’re not sure why, but they do. Regardless of your spiritual beliefs, there are profound truths to be mined from those tales.

Join us on a 42-day journey of discovery. Why 42? A famous “Guide” would have you believe that’s “the Answer to Life, the Universe, and Everything.” The trouble is you have to know “the Question.” Maybe that question for you is, “How many days will it take me to learn the Truth?” Or maybe you already know the true “Answer” but want to deepen your faith. Either way, this book is for you! We promise it’ll be fun and challenging. You may never look at your favorite stories, characters, and/or hobbies the same again.

Don’t forget your towel!

It was co-authored by myself and my friend Eric Anderson, the founder of Nerd Chapel. We each took turns writing the 500-800 word devotions for each day. We both bring our unique voices and styles to the book. We mine Truth from things like Star Trek, Star Wars, Doctor Who, G.I.Joe, and even a strange scientific discovery about water crystals!

As I said, the book is available on Amazon for $7.99. Get your copy today!

‘Tomorrowland,’ Dreamers, and Idealism

Does it make me a bad writer (and a bad person) that I haven’t written a blog (or made a video) in nearly a month because of busyness and technology problems? I’d like to say, “No,” and attribute it to “life happens.” Regardless, my projects have slowed down a bit, and I’m writing this on my new laptop. But since I feel I owe it to you, “True Believers” (yes, I’m still stealing Stan Lee’s nickname for Marvel Comic readers until I can find a better name for my own fans), to make up for lost time, I plan to write two blogs this week: one today and one Thursday.

The poster for the film.

Recently, I saw Tomorrowland (which, despite what critics are saying, is a good film). It was a wonderful experience. I saw it at a locally-owned small town theatre with my siblings, Josiah, Jarod, and Sarah. This almost never happens because Josiah is married and recently had his first kid, and Sarah works in Florida for her alma mater, Word of Life Bible Institute. I can’t remember the last time the four of us had an outing like this.

Anyway, there’s much that can be mined from this film, but what struck me most was its idealism. (SPOILER WARNING!) Tomorrowland is a city hidden in another dimension. It is a place where scientists, thinkers, and artists can work without the limitations of governments, bureaucracy, and doubters. But only a select few are admitted to the city. Those chosen for admission are sent a pin that gives them an interactive glimpse of the city and invites them to join.

I want one!

How is someone selected to enter Tomorrowland? He (or she) must be a dreamer. They must look at the world’s problems and ask, “How can we fix it?” They must believe that with imagination, ingenuity, and hard work, anything is possible. In other words, they must be optimistic and idealistic.

Casey, the film’s protagonist, exemplifies these. Several times when apocalyptic predictions are made, she refuses to believe they can’t be prevented, and her hope alters those projections, if only slightly. It’s revealed that a machine meant to show mankind the dangers that are coming—environmental disasters, nuclear war, etc.—instead made them cynical, so they rushed toward that apocalypse. They turned those warnings into pop culture, treating those dystopias and disasters as inevitable futures. Ultimately, it is hope that triumphs, reviving Tomorrowland and avoiding the oncoming apocalypse, and pins are sent out to new candidates for admission.

Watching this, I wondered, Would I be worthy of admission to Tomorrowland? I asked myself that because I’ve often battled cynicism and despair, especially since graduating college. I won’t go into the details, but my life hasn’t gone how I wanted it to. Just the week before seeing the film, I’d staved off a bout of depression. Yet whenever I’ve been like that, I didn’t feel like myself. It was like I was another person; it wasn’t the real Nathan. It reminded me that despite everything, in my heart of hearts, I’m an idealist. I’m also a dreamer. The cynicism and depression stem from not seeing many of those dreams become reality. There’s much I want to do and much I can contribute. Among them is telling stories to a wide audience that both entertain and enlighten. In fact, I want to craft stories that do for others what Tomorrowland did for me.

But hope is a tricky thing. It’s both powerful and fragile. Reality can crush it—and often does for many people—but it can also overcome and alter reality. It’s what spurs people to accomplish great things. They didn’t simply give up.

For centuries, people said man would never fly. The Wright Brothers didn’t listen.

America feared polio for decades. Dr. Jonas Sulk created a vaccine.

The Cold War raged for nearly five decades under the shadow of the Soviet Union. President Ronald Reagan defeated it.

I’m also reminded of Hebrews 11, which is often called “The Hall of Faith.” It lists figures from the Old Testament who accomplished great and often seemingly impossible things because of their faith in God.

These are the kinds of people who get admitted to Tomorrowland.

They’re the kind of people I want to be like.

Daredevil and Writing Christian Characters

Matt Murdock (aka Daredevil) as seen in the new Netflix series. Played by Charlie Cox.

A few weeks ago, Marvel Comics released the 13-episode series Daredevil on Netflix. My longtime readers won’t be surprised when I say that it was this show–the first of five that Marvel is releasing exclusively to the streaming service–that made me finally sign up for Netflix. I’ve made it no secret that I love superheroes, comic books, and the Marvel Cinematic Universe.

(If you’d like to read my official review of the series, go to my Examiner page here).

One of the things I find most interesting about Daredevil is he is one of only a few Christian superheroes that I know of (Nightcrawler from X-Men is another). He’s Catholic, to be specific. I was curious to see how his faith would be handled in this series since Hollywood has a track record for presenting Christians as hypocrites, loons, or both. I thought they might gloss over his faith, at best.

I was pleasantly surprised to see that his faith was an integral part of his character. He unabashedly identifies himself as Catholic, even saying that it’s what keeps him going most of the time. But most importantly, his faith isn’t simplified. In fact, it makes him a complicated character. Conversely, he’s not the squeaky-clean, nigh-perfect Christian character usually presented in faith-based movies.

(WARNING: SPOILERS AHEAD!)

Matt has endured much tragedy. He was blinded as a boy after shoving a man out the way of a truck, which then accidentally dumped chemicals on him. His father, a mediocre boxer, was murdered by mobsters because he refused to throw a fight. He spent the next several years in a Catholic orphanage dealing with his radar-like super-senses (a “gift” of the chemical bath) until he was trained to fight by a skilled but amoral blind old man, who eventually abandoned him. Is it any wonder he adopted the faith of the orphanage? He needed it to go on. It spurred him to become a lawyer so he could help clean up Hell’s Kitchen.

But Matt quickly learned the limitations of the law. He told the story of hearing a man in the next-door apartment sexually molesting his eight-year-old daughter. Because of his super-senses, he was the only one who knew about it. The mother didn’t believe it, and, as he said, the father was “smart” and managed to convince Child Protective Services he was innocent. So, one night, having gotten sick of it, he put on a mask, tracked the father down, and beat him up, threatening to make the next one worse if he ever touched his daughter again. “I could sleep better after that,” he said.

This was his first night as a vigilante, which by definition is someone who operates outside the law to enforce some form of justice. It goes counter to what Matt normally would stand for as a lawyer. Yet it doesn’t. As Matt states in a courtroom speech, the law concerns itself with facts and not necessarily truth. It can only act based on the evidence that is presented. Plus, as Matt learns while trying to take down his archenemy Wilson Fisk (aka Kingpin), cops and judges can be bought or bullied to offer criminals protection. This brought Matt to a crossroads. The only way to stop Fisk seemed to be killing him, but as he confessed to his priest, such an act would damn his soul. This was only one of the many spiritual struggles he had concerning the morality of the often brutal tactics he used to enforce his vigilante justice.

What was brilliant about it was it all seemed realistic and believable. I’ve heard of many people in real life who’ve wrestled with huge moral issues (though, admittedly, they weren’t costumes vigilantes…so far as I know…). At one point Matt was willing to risk damning his soul if it meant saving his city. Ultimately, he found another way, but it may not be the perfect solution (that’ll be revealed in season 2). This struggle is presented with great respect. The show’s creators remember that religion is a large part of many people’s lives. It shouldn’t be mocked or ignored. (I also admit that putting characters in moral dilemmas is something I enjoy and used to do a lot in my own stories).

On the other hand, Matt would probably be criticized by many Christians (and perhaps fellow Catholics) because he isn’t perfect. Besides his questions of morality, he has (small?) vices like swearing and possibly pre-marital sex (it’s never shown and details aren’t offered, so the audience is left to decide). Yet at no point did I question the authenticity of his faith. It reminded me that things like cussing don’t always mean a religious person has a weak or superficial faith. Legalism never helps anyone.

What do you think? Did you see the series? How should Christian characters be written in fiction?

‘Marvel vs. DC’ movie coming in 2020!

Author’s Note: I originally posted this today on Examiner.com, but they put the kibosh on it and took it down inside of five minutes. I guess they have no appreciation for April Fool’s Day jokes. Regardless, here it is.

In an unprecedented move, Disney and Warner Bros. have struck a deal to adapt the epic crossover comic book miniseries DC vs. Marvel for the big screen. Published in 1996 and written by Ron Marz and Peter David, with art by Dan Jurgens and Claudio Castellini, the four-part story saw characters from both publishers clash to save the multiverse. Kevin Feige and Christopher Nolan are executive producers with David S. Goyer slated to write the script and Bryan Singer directing. This announcement was made with a trailer created by super-fan Alex Luthor.

“Despite being competitors, DC and Marvel have had some classic crossovers,” said Feige. “Since both companies are building cinematic universes, it only seemed logical to have them crossover.”

Bryan Singer jumped at the chance to direct this massive film. “Since I’ve directed both Superman and the X-Men, I think I’m the only guy in Hollywood qualified to handle characters from both companies,” he said.

The comic book featured over a dozen bouts like Superman vs. Hulk and Captain America vs. Batman. Half were determined by the creators while others were decided by fan votes, which is something that will also be done for this film.

“This is for the fans, so we want them to be involved,” said Nolan. “When the movie’s website is launched, it will feature a page where they can cast their votes on the more high-profile matches. We freely admit that they might know better than us.”

Robert Downey Jr., Chris Evans, Chris Hemsworth, and the rest of cast of Avengers will be joining Henry Cavil, Ben Affleck and Gal Gadot in this epic war of worlds.

“I could so take Bat-fleck,” Downey said. “He looks all mopey and sad. Plus, I’ve got better toys.”

Ben Affleck was unavailable for a retort.

Adding to the scope of the film, Marvel is in talks with 20th Century Fox to allow the X-Men and Fantastic Four to be part of the massive crossover.

“Since both of those franchises have tampered or will tamper with the fabric of reality, it made sense story-wise to include them,” said Feige. “This would allow us to sort of include them in the MCU without having them in the MCU. Negotiations have been tough, but I expect we’ll have a deal hammered out soon.”

DC is also considering adding the likes of Grant Gustin (“The Flash”) and Stephen Amell (“Arrow”) to the mix because of their respective shows’ immense popularity. Given the nature of the story, it’s definitely possible.

While all the main players are set, the studios have yet to cast Axel Asher, aka Access, the character who will serve as the bridge between these worlds.

“He was just a regular teenager until a bum told him he was next in line to inherit special interdimensional powers,” said Goyer. “I love that about him. It’s as much his story as it is about the huge fandom-fueled brawls.”

Several actors have apparently auditioned for the coveted role, including Josh Hutcherson (“The Hunger Games”), Taylor Lautner (“Twilight”), Channing Tatum (“G.I. Joe: The Rise of Cobra”) and, interestingly, Liam Hemsworth (“The Hunger Games”).

“I’d love to be in a movie with my little brother!” said Chris Hemsworth, who plays Thor. “We always competed with each other growing up.”

Don’t expect to see this crossover clash in theatres for a while, though, since most of these actors are contracted for other films.

“These actors all have a lot on their plates, so we’ll have to wait for everything to align,” said Nolan. “But it will be worth the wait.”

The question on everyone’s mind, though, is will Stan Lee have a cameo?

“The man will be almost a hundred years old by then!” said Singer. “But I think he’d be honored to be part of the film, even if he’s carted in on a wheelchair.”

“Marvel vs. DC” is slated to be released April 1, 2020.

Religious Freedom, Discrimination, and Gen-Con

“As a Christian, a Hoosier, and a nerd, I am offended by this.”

That’s what I wrote on my Facebook page when I shared an article that said Gen-Con—among others—was threatening to relocate because Indiana Governor Mike Pence was going to sign the Religious Freedom and Restoration Act. It ignited a flame war on my page and most especially in a Gen-Con Facebook group. It was a rare instance where my politics and nerdiness (and to a lesser extent, my writing) clashed. To make matters worse, I seemed to be in the minority in my support of this bill, even among my fellow Christians. It was one of those times when, as I posted on my page, “I feel like I’m the only one who gets it.”

After much thought, I’ve decided to write this blog as my succinct, focused view on this legislation. It will be the last time I talk about it, at least publicly.

I will not explain my views on homosexuality. I hate that the bill’s protesters have tried to make it about something it isn’t.

Here’s the official summary of the bill:

“Provides that a state or local government action may not substantially burden a person’s right to the exercise of religion unless it is demonstrated that applying the burden to the person’s exercise of religion is: (1) essential to further a compelling governmental interest; and (2) the least restrictive means of furthering the compelling governmental interest.”

In other words, it allows judges to look at a case and determine if someone violates someone else’s civil rights with the exercising of his religious rights, or vice versa. These have come up in the last few years because of cases like Hobby Lobby’s refusal to fund certain forms of birth control and the Iowa baker who didn’t want to make a cake for a lesbian wedding. Both resulted in high-profile lawsuits. This bill would protect business owners from such things.

However, protesters argue that this bill will legalize discrimination. The most common example I heard was a Christian restaurant owner could see two men walk in, assume they are homosexual, and refuse to serve them. In other words, this bill will turn Indiana into the pre-Civil Rights Movement south.

Ironically, some—including George Takei—seem or forget (or ignore) that a federal version of this law has been on the books for over 20 years. It was passed unanimously in the House of Representatives and with a 97-3 vote in the Senate and then signed by President Bill Clinton (you know, a right wing nutcase :P). But the Supreme Court said the law didn’t apply to the states, so since then 19 other states besides Indiana have passed laws that reinforced this federal law and added it to their respective state constitutions. In other words, this law isn’t new.

It does not invalidate the civil rights homosexuals—or any other minority—already has in this country. Those are guaranteed to them by the Constitution. Why? Because they’re human beings and American citizens. A business owner can’t use this law to justify his prejudicial refusal to serve someone.

But it doesn’t just apply to Christians in conflict with homosexuals. It applies to Jews who want to run a kosher deli and not be sued because they refused to serve pork. It applies to Catholic organizations that object to certain forms of birth control. It applies to doctors who refuse to perform abortions because of their religious convictions. In other words, people shouldn’t be forced to do anything that violates their consciences. Businesses have the right to refuse service so long as it doesn’t violate someone’s civil rights.

I explained it like this. If a homosexual came to me and asked to buy a copy of one of my books (which has happened)—or better yet, offer me a book deal—I’d have no objections to it. We’re relating to each other as peers. But if he wanted to commission me to write the vows for his gay wedding, I’d say, “No.” Why? Because at that point I’d be endorsing a lifestyle I have religious objections to. I used examples like this on my Facebook page, and several commenters figured that debunking my so-called “extreme” examples and analogies would debunk my arguments. I’m sorry, but the principle still stands even if the illustration is faulty. Read C.S. Lewis. Even he says, “No doubt there is one point in which my analogy…breaks down” (The Weight of Glory).

There have been no instances where this law has been used to justify discrimination in those other 19 states. None. Zero. Nada. If somehow it does lead to such things here in Indiana, I will be one of the first people to support efforts to curtail it. I may have religious objections to homosexuality (not homosexuals—there’s a difference), but I don’t think anyone should be mistreated or discriminated against. If I have to be part of a minority of voices that supports this, so be it. I’m sick of hearing people berate me as a bigot because I support this bill. Eventually, all their voices collect into a cacophony that blares, “Conform!” I refuse.

Don’t think for a second that I don’t know what it’s like to be discriminated against. In fact, it happened to me at Gen-Con last year. A fella walked by my table and grimaced when he saw that I had business cards for Fans For Christ next to my books. I asked if he saw anything he liked, and he replied, “Let me put it politely: I don’t believe what you believe.” Then he walked away without looking at my books. He discriminated against me because I was a Christian. I didn’t berate him or threaten to sue him. I simply moved on to the next potential reader. If someone is refused service by a business because it would violate the owners’ religious beliefs, that person can go to a similar business that will cater to him. That’s what a free market does.

Why are people loudly objecting to it? I believe they’re either misguided or seizing an opportunity to make a political statement. I’ve heard Christians argue that this violates Jesus’ teachings about loving all people. Their hearts are in the right place, but they’re misunderstanding the situation. Most protesters—particularly the extremists in the LGBT community (FYI: I don’t think all members of that community are like this)—see what’s happening and are using it rile people up so they can advance their political agenda. They have no interest in helping anyone but themselves. I’ve seen it happen multiple times in multiple minority groups. They spout nothing but propaganda. It’s sickening, honestly. It doesn’t help anyone and only perpetuates the cycle of hatred. It must be broken.

I believe Adrian Swartout, the CEO of Gen-Con, is motivated by the former. He doesn’t want his event to be associated with a state that he believes is discriminatory toward certain groups. I can understand that. If he wants to move his event elsewhere, that’s his prerogative and he has every right to do so. However, I have every right to disagree with his reasons and be upset that Gen-Con could leave. I love that convention. It means more to me because I’m not just a con-goer. I made new friends there. I enlarged my writers network there. I expanded my audience there. I love their Writers Symposium. I cut my teeth as a self-promoter there. Now that might be taken from me. Heck, I wonder if Christians like me who attend this year will be persecuted because we’ll be labeled “the bigots who made Gen-Con leave.” I’d like to believe that convention will continue to be a place of acceptance.

There you go. I hope I’ve made myself clear. I believe in religious rights and civil rights. I think both should be protected. I support this bill because I think it does that. Feel free to discuss this with me in the comments, but be civil.

Finally, this video succinctly summarizes what this bill is about and what’s in it.

Well-Rounded or One-Dimensional?

As a teen and young adult, I used to regularly read Focus on the Family’s Plugged In magazine. Recently I checked out their review on the film Fury, which I’d recently seen. It can be summarized with these paragraphs:

Some will see that unflinching glimpse at perpetual bloodshed and gray-smoking destruction as something of an antiwar declaration. They’ll see a cautionary tale of men hollowed out and broken by the unspeakable horrors they’ve witnessed.

Others will see this pic as a one-dimensional splatter-fest dressed up in khaki Army fatigues, with limbs innumerable being severed by large-caliber machine gun fire and mortar rounds in a story of brutal, hard-fisted soldiers battling a Nazi evil even more wicked than themselves.

“Did you watch the same movie I did?” I asked.

In case you don’t know, Fury is a WWII film released last fall that stars Brad Pitt and Shia LeBeouf. It’s about a greenhorn Army clerk who ends up on the frontlines with a battle-hardened tank crew and sees firsthand the horrors of war, which makes him more willing to kill the enemy. I read Plugged In’s review because I wanted to see what they thought of Shia LeBeouf’s character, who is a Christian. (LeBeouf reportedly became a Christian during filming). Unsurprisingly, they complained about him, saying, “We see him praying over a wounded soldier and quoting Scripture several times before battle. That said, his faith doesn’t keep Bible from being every bit as foulmouthed, boozy and death-dealing as the rest of his crew.”

“What would you have preferred?” I asked. “That he fit the equally one-dimensional perfect or nigh-perfect stereotypes that populate ‘Christian’ films?” Besides, he swears much less than his compatriots and I only saw him drink alcohol once (and he didn’t get drunk, which is what the Bible condemns, not the consumption of alcohol). When his buddies make crude comments about German women, he rebuffs them. When they harass a German woman, he doesn’t participate. He’s not perfect. No Christian is. But he’s also not the typical religious loon usually seen in Hollywood films.

They also presented Pitt’s character “Wardaddy” as a one-dimensional, jingoistic jarhead you typically see in bad action movies. That more than anything baffled me. I saw a character who in many writers’ hand would’ve been exactly that, but both the script and Pitt’s performance add layers of nuance to him. He’s a man who will shoot an unarmed POW in the back and a few scenes later protect two young German women from his horny subordinates. When he walked into the women’s apartment, I fully expected him to do something terrible to them. But he didn’t. He does encourage the new recruit to sleep with the younger woman (which isn’t shown, so it’s debatable if they did anything). When they walk out he tells the young guy “nothing needs to be said.” But his defining characteristic is his desire to keep his men alive. Yes, he’s a borderline psychopath and possibly mad, but he’ll do whatever it takes to save his men. They respect him for that. He’s a complicated character. I was enthralled by this.

Not only was I bothered by this magazine’s overly biased review, it reminded me of the challenge writers have creating characters. What’s the difference between a well-rounded character and an inconsistent character? The line between them seems fuzzy. A common trait of bad writing is having a character act, well, out of character. For example, it’d be out of character for a patriotic superhero like Captain America to suddenly become a communist. On the other hand, people are full of contradictions. Hardened criminals in prison will abuse child rapists because despite their depravity, they have enough moral fiber to know not to do unspeakable things to children.

Dinobot from Beast Wars.

This is why my favorite character from Beast Wars (a childhood favorite cartoon) is Dinobot. He’s easily the best-written character in the show because of how complicated he is. He’s too honorable to be a bad guy but too rough to be a good guy. He’ll pull an opponent from cliff edge if said opponent slipped, but he has no qualms with throwing him off the cliff during combat. He defected from the bad guys but considered betraying the good guys later. Yet all of this fit his character.

Kenneth Branagh as Hamlet.

A more literary (and nebulous) example is Hamlet. Talk about complicated! I haven’t the time or space to adequately examine him. All I will say is he is a man who has a strong sense of justice and strong moral convictions. He believes his uncle is a murderer who should die, but he hesitates to kill him because of that same moral compunction against murder. (I don’t subscribe to the theory that Hamlet was insane). That’s one of many reasons why Shakespeare’s Hamlet is considered to be one of the greatest pieces of literature in the history of the world: the titular character is nuanced, complex, and seemingly contradictory.

Writing characters like this is hard. This is why many writers prefer static, two-dimensional characters. That isn’t to say such characters are inherently bad. There are plenty of great examples out there. But even they must act in ways consistent with their character.

What do you think is/are the difference(s) between well-rounded and inconsistent characters?

I’d Rather be a Trendsetter (or “Do I Have a Fanbase?”)

I wish I had numbers this good.

Sometimes looking at the numbers is discouraging.

Since my last few YouTube videos have been somewhat controversial troll magnets, I decided to check their statistics. While one has close to 3,000 views (it’s since slowed down because it’s designated as “unlisted”), the average amount of time the 12-minute video was viewed was two minutes. (In fact, that was the average for almost all of my videos). In other words, it’s been viewed many times but not often finished (and yet garnered such hate—I guess that’s an accomplishment). 😛 On the other hand, most of my other videos have only a few hundred views, at best.

I could look at this two ways: 1) I’m not as good as making videos as I thought, or 2) people on YouTube have super-short attention spans and get bored more easily than most. The former puts the blame on me and the latter puts the blame on the audience. Honestly, I’m not sure which is true.

Writers aren’t much without readers. They need a fanbase in order to make a living. The problem is building one. Fans are notoriously fickle, particularly in the speculative fiction realm. Striking a balance between giving them what they think they want and what they (or the stories) need is a tightrope act that’d scare most acrobats. I’ve been told by a few publishers and agents that the stories I submitted to them were “well-written” and that I had talent, but what I wrote wasn’t “trendy.” This annoys me. I’ve rarely, if ever, been one to follow trends. I’d rather be a trendsetter. I have far more respect for authors who dream up fresh ideas as opposed to trying to become the next J.R.R. Tolkien, J.K. Rowling, or Stephanie Meyer (God help us if any writers try to become the next E.L. James…). My English professor, Dr. Dennis E. Hensley, always told his students to be themselves as writers instead of watered down versions of other writers.

People sometimes ask me how many copies of my books have sold. I honestly don’t know. I once asked my publisher a few years ago how many copies of Pandora’s Box had sold, but I was disappointed with the numbers so I haven’t asked since. I’m not expecting it to be a New York Times bestseller, but I do hope some people are buying it and enjoying it. While I know number of copies sold and video view counts aren’t necessarily indications of quality, they can be indications of how well the creator is reaching his audience.

Regardless, when I hear people describe themselves as a “fan” of me, I’m surprised. Hopefully someday that won’t be such a shock anymore.

Fellow creators, what do you do to build your fanbase?